القصص الغرامیة فی الادبین العربی و الفارسی مع القاء الضوء علی قصتی «لیلی و مجنون» و «یوسف و زلیخا» دراسة تحلیلیة مقارنة

ان القصص الغرامیة نوع من الانواع الادبیة التی کانت و لاتزال موضع اهتمام کبیر علی مستوی عالمی بحیث ابهرت ابصار القارئین و المخاطبین. و نظراً الی الصلة العریقة بین العرب و الفرس و آدابها لقد اتخذنا من بین الحکایات الغرامیة قصتی « لیلی و مجنون » و یوسف و زلیخا، لندرسهما فی هذا المقال و انها من القصص المشترکة بین الادبین الفارسی و العربی الا انهما انحدرتا من اصل عربی ثم وجدتا طریقهما الی الادب الفارسی لتیثر اعجاب الشعراء و الادباء الایرانیین امثال ابی القاسم فردوسی و عبدالرحمن الجامی و امیر خسرو الدهلوی و مکتبی الشیرازی و غیرهم. لقد رکزنا جلّ اهتمامنا فی هذا المقال اولا علی دراسة مقارنه تحلیلة بین هاتین القصتین (لیلى مجنون و یوسف و زلیخا). تحلیلة فی الادبین العربی و الفارسی و ثانیاً من ثم بذلنا مجهودنا فی اطلاق الضوء علی وجهات نظر الشعراء و مشاهیر الشعر الایرانین الذین اتخذوا من هذه القصص وسیلة لابداء افکارهم و رُواهم.

Love stories in Arabic and Farsi literature:Focusing on leile- wa- Majnoon and yousof- wa- Zoleokha stories.A comparative analysis study.

Love stories are kind of literary works inter nationally considered and have widely dazzled the readers. Because of the close relation between Arabs and Iranees and their literatures we have chosen two stories &Leila- wa- Majnoon&, and &yousof- wa- zaleikha& to analyze them in this article. These two stories are among the vast stories in common between the two literatures but these two are originally Arabic stories found their way to the Farsi literature impressing Iran’s writers such as &Abi ALKasem Ferdosi&, &Abdul Rahman Jami&, &Amir khosro Dehlawi&, &Maktabi shirazi&, and others.These two stories in Arabic literature are very simple and naive and presents clearly the simple intellectual and cultural environment of Arab world in ancient times.But these two stories has taken asophic texture in Farsi literature after intering Farsi literature, and the Farsi poets have taken the materialistic love as a means for expressing their thoughts and sufi believe. And to make the personalities appearing in the stories as symbols and icons for edification and reaching perfection. Leavng behind superficial contents and meanings and heading to wards the sophical and spiritual purposts in order to reach God and realize the reality of God’s existence. By analyzing these stories, it is obvious that the cultural and intellectual trends of Iran’s poets indicates the existence of aheavenly and regenerated manifestation in Farsi literature.