دراسه الشخصیّات الدینیه المنبوذه فی شعر شاذل طاقه فی ضوء التقنیّات البیانیّه

یعدّ شاذل طاقه مِن روّاد الشّعر العراقی المعاصر، وقد تمتّع فی شعره بالتّراث من زوایاه المختلفه، بینما یعد توظیف التراث الدینی نصیبه الاوفر قیاسا لسائر مصادر التراث. لقد افتتن الشاعر بالشّخصیات الدینیه المطروده مثل شخصیه قابیل ویهوذا الاسخریوطی والمسیح الدجّال بوصفهم ایقونه لاراقه الدماء والظلم، مصوّراً الجرائم والدّمار لدی البشر ومتمرّداً علی کلّ ظالم غاصب فی الارض. ورغم انّ شاذل طاقه شاعر کبیر ذو موهبه شعریه ثریه، لکنّ النقاد قلّما اهتمّوا به وبشعره، فظلّ رائداً منسیّاً ومن هنا قرّرنا ان نعرّفه ونستعرض شعره من خلال المنهج الوصفی التحلیلی عبر دراسه الشّخصیّات الدینیّه المنبوذه فی شعره، فی ضوء التقنیات البیانیّه الّتی لجا الیها فی توظیفها. وتشیر النتائج الحاصله عن المقال الی انّ الظروف السیاسیّه والاجتماعیه المضطربه فی العراق والعالم العربی قد اثّرت تاثیراً بالغاً علی نفسیّه الشاعر والهبت عواطفه، وجعلته یوظّف شخصیّات دینیه فی شعره ومنها الشخصیّات الدینیّه المنبوذه. وقد اهتمّ فی استخدام هذه الشخصیّات بحفظ الانسجام بین اللفظ والمضمون والتنسیق بین التقنیات البیانیّه والمضمون الشعری اهتماماً شاملا. واستمدّ تقنیات بیانیه متنوّعه فی استحضار هذه الشّخصیات، منها الخطاب الدینی، والاسلوب القصصی، والرّمزیه.

A study of evil figures of religious tradition in the poetry of Shathel Taqa in the light of expressive techniques

As a pioneer in Iraq’s modern poetry, Shathel Taqa’s poetry instantiates variegated legacies, wherefrom the religious one has received more attention than the others in his oeuvre. He highlights evil figures in religious discourse such as Cane, Judas Iscariot and AlMasih adDajjal as the source of oppression and bloodshed. Through employing this discourse, the poet expresses human crimes and stages a revolt against any oppressor on the earth who has unlawfully brought nations under their dominance. A great poet with a high poetic talent, he has not, however, received the critical attention he deserved, causing him and his work to be disregarded. The study therefore attempts to bring to the fore Taqa and his work through analysing evil figures in the religious discourse as depicted in his poetry and the techniques he employed. The results indicate that the tumultuous sociopolitical condition of Iraq and Arab world impacted greatly on the poet’s emotions, ignited his sentiments and made him draw on religious figures including evil ones. In employing these figures in his poetry, he tried to maintain the consistency between form and meaning and the coordination between expressive techniques and poetic themes. He used a variety of techniques, including religious discourse, fictional mode and symbolism.