پیام‌رسانی بدنی در مقتل فدایی مازندرانی

ﻣﻘﺘﻞﻧﻮﯾﺴﯽ، ﻣﻘﺘﻞﺳﺮاﯾﯽ و ﻣﻘﺘﻞﺧﻮاﻧﯽ، ﯾﮑﯽ از ﻣﻈﺎﻫﺮ و ﺑﺎزﺗﺎبﻫﺎی اﯾﺪﺋﻮﻟﻮژی ﺷﯿﻌﯽ در ﺗﺎرﯾﺦﻧﮕﺎری، ادﺑﯿﺎت و ﻫﻨﺮﻫﺎی ﺗﺠﺴّﻤﯽ و ﻧﻤﺎﯾﺸﯽ اﯾﺮاﻧﯽ- اﺳﻼﻣﯽ اﺳﺖ. ﻣﻘﺘﻞﺳﺮاﯾﯽ ﻓﺎرﺳﯽ، ﻧﻤﺎﯾﺸﯽ از ﺧﺎﻟﺼﺎﻧﻪﺗﺮﯾﻦ ﻋﻮاﻃﻒ ﻏﻨﺎﯾﯽ آدﻣﯽ در ﻣﺮﺛﯿﺖ اﺳﺖ ﮐﻪ در ﮐﺎﻟﺒﺪ زﺑﺎن و ﺗﺼﺎوﯾﺮ اﯾﻦ ﮔﻮﻧﻪی ﺷﻌﺮی ﮔﻨﺠﺎﻧﺪه ﻣﯽﺷﻮد؛ اﻣﺎ ﮔﺎﻫﯽ ﻟﺒﺮﯾﺰی ﻋﺎﻃﻔﯽ، از ﮔﻨﺠﺎﯾﯽ ﮐﻼﻣﯽ ﻓﺮاﺗﺮ ﻣﯽرود و در ﭼﻨﯿﻦ ﻫﻨﮕﺎﻣﯽ اﺳﺖ ﮐﻪ ﻋﻨﺎﺻﺮ ﻏﯿﺮﮐﻼﻣﯽ و ﭘﯿﺎمﻫﺎی ﺑﺪﻧﯽ ﻧﯿﺰ ﺑﻪ ﯾﺎری زﺑﺎن ﻓﺮاﺧﻮاﻧﺪه ﻣﯽﺷﻮد. ﻣﺴﺌﻠﻪی ﻣﻘﺎﻟﻪی ﺣﺎﺿﺮ، ﺗﺒﯿﯿﻦ ﻧﻘﺶ ﻋﻨﺎﺻﺮ ارﺗﺒﺎﻃﯽِ ﺑﺪﻧﯽ در ﻣﻘﺘﻞ ﻣﯿﺮزاﻣﺤﻤﻮد ﻓﺪاﯾﯽ ﻣﺎزﻧﺪراﻧﯽ، ﺑﻪﻋﻨﻮان ﯾﮑﯽ از ﻏﻨﺎﯾﯽﺗﺮﯾﻦ و ﻃﻮﻻﻧﯽﺗﺮﯾﻦ ﻣﻘﺎﺗﻞ ﻣﻨﻈﻮم ﻓﺎرﺳﯽ اﺳﺖ. اﯾﻦ ﺗﺤﻘﯿﻖ، ﺑﺎ روش ﺗﺤﻘﯿﻖ ﺗﺮﮐﯿﺒﯽ (ﺗﻮﺻﯿﻔﯽ- ﺗﺤﻠﯿﻠﯽ- آﻣﺎری) اﻧﺠﺎم ﺷﺪ و اﯾﻦ ﻧﺘﺎﯾﺞ ﺑﻪ دﺳﺖ آﻣﺪ: در ﻫﺸﺘﺎد درﺻﺪ ﻣﻮاﻗﻊ، ﭘﯿﻮﻧﺪ ﺑﯿﻦ ﻋﻨﺎﺻﺮ ﮐﻼﻣﯽ و ﻏﯿﺮﮐﻼﻣﯽ از ﻧﻮع ﺟﺎﻧﺸﯿﻨﯽ اﺳﺖ ﮐﻪ ﻧﺸﺎن از اﻫﻤﯿﺖ و ﮔﺴﺘﺮهی ﭘﯿﺎمرﺳﺎﻧﯽ ﺑﺪﻧﯽ در ﻣﻘﺘﻞ ﻓﺪاﯾﯽ ﻣﺎزﻧﺪراﻧﯽ دارد. ﻧﺸﺎﻧﻪﻫﺎ و ﭘﯿﺎمﻫﺎی ﺑﺪﻧﯽ در ﻣﻘﺘﻞ ﻓﺪاﯾﯽ در ﺧﺪﻣﺖ ﺳﺎﺧﺘﺎر رواﯾﯽ و دراﻣﺎﺗﯿﮏ اﯾﻦ ﻣﺘﻦ اﺳﺖ و در ﺟﺎﯾﮕﺎه ﻋﻨﺎﺻﺮ رواﯾﯽ و ﻧﻤﺎﯾﺸﯽ ﻣﺨﺘﻠﻒ ﻓﻀﺎﺳﺎزی، ﮐﻨﺶﻣﻨﺪی ﺷﺨﺼﯿﺖﻫﺎ، ﺗﻮﺻﯿﻔﺎت رواﯾﯽ، ﮔﺮهاﻓﮑﻨﯽ و ﮔﺴﺘﺮش ﻃﺮح و ﭘﯿﺮﻧﮓ( اﯾﻔﺎی ﻧﻘﺶ ﻣﯽﮐﻨﺪ. اﯾﻦ ﻧﺸﺎﻧﻪﻫﺎ ﺑﺎر ﻏﻨﺎﯾﯽ- ﻋﺎﻃﻔﯽ ﺟﻨﺒﻪی رﺛﺎﯾﯽ اﯾﻦ ﻣﻘﺘﻞ را ﺑﺴﯿﺎر ﺗﻘﻮﯾﺖ ﻣﯽﮐﻨﻨﺪ و در ﺣﺴﯽﺗﺮ ﺷﺪن ﻣﻔﺎﻫﯿﻢ و ﺟﺎنﺑﺨﺸﯽ ﺑﻪ ﺗﺼﺎوﯾﺮ ﺑﺴﯿﺎر ﻣﺆﺛﺮﻧﺪ. ﮐﺎرﮐﺮد ﻣﻬﻢ دﯾﮕﺮ ﭘﯿﺎمرﺳﺎﻧﯽ ﺑﺪﻧﯽ در اﯾﻦ اﺛﺮ، ﮐﻤﮏ ﺑﻪ اﻧﺘﻘﺎل و ﺗﻘﻮﯾﺖ ﮔﻔﺘﻤﺎن ﻋﺎﺷﻮراﯾﯽ و ﻣﻨﻈﻮرﻫﺎی اﻋﻼﻣﯽ و ﺗﺒﻠﯿﻐﯽ ﻣﻬﻢ اﯾﻦ ﮔﻔﺘﻤﺎن اﯾﺪﺋﻮﻟﻮژﯾﮑﯽ اﺳﺖ.

physical messaging in the maqtal of fadaei mazandarani

introductionpoem and singing have been two integral parts of iranian culture, poets and singers have been from the elite class of the king’s court and they had played an important role in many large courts of the kings and their gatherings. poem and singing have been very important in the literature of baloch nation and the effect of these two arts is narrated in different narrations. one of these narrations is the story of sayadhān and his wife &fatemeh bashkardi&, and its comparison with the story of amir nasr samani and the ballade &joye molian& from roudaki is the main aim of the present research.  aims, method and history of the research the method of the research is a field method in the bagin baškard story and poem. the author has derived the poem from minstrels’ songs, and has derived its story from narrators, and after collecting, a comparative study is done with story of amir nasr samani and the ballade &boye joye molian& from roudaki using the analytical descriptive method. the main aim of the present research is to introduce the anonymous story of sayadhān and fatemeh and state its similarities with the story of amir nasr and the ballade &boye joye molian& from roudaki. no research is conducted on balochi story and poem& bagin baškard&. its summary is published by fakeer shad cited by the minstrels in the book &miraas& (2016, pakistan).discussion and examination sayad khan son of hossein khan was one of makoran powerful khans in the same period as qajar dynasty, and fatemeh was one of noblewomen in bashkard region. after meeting each other, they fall in love and after being engaged, they are separated from each other. one year later, fatemeh becomes restless because of being far from her husband, and sends a messenger with presents to ibrahim raski to help her husband comes back home. at dawn, ibrahim writes the famous poem &bagin baškard&. he gives his poem to a minstrel with a nice voice known as &abdolrahim& to sing it in khan’s gathering using harp. khan’s gathering began and as usual, poem reading and music playing decorated the gathering. the minstrel started singing ibrahim’s poem very sweetly. sayadhān liked poems and was impressed as he found out about the issue and he immediately rode on his horse to bashkard without letting his gathering end. finally, he reached fatemeh and ibrahim received precious presents in return for his poem.the story of sayadhān being provoked by baloch poet &ibrahim raski& to meet and reach his beloved is very similar to the story of amir nasr samani being provoked by roudaki to go back to bokhara. this poem describes the beloved and khan’s horse and the road passed by khan.