شرح و تحلیل چند بیت مبهم از دیوان ناصرخسرو

معروف‌ ترین چاپ دیوان ناصرخسرو (م: 481ق.) به تصحیح مجتبی مینوی و مهدی محقق منتشر شده و مصححان ابیات مبهم را با علامت سوال مشخص نموده‌اند. گرچه در سال ‌های اخیر به همت محققان، بعضی ابهامات دیوان ناصرخسرو برطرف گردیده امّا هنوز بسیاری از ابیات آن مبهم باقی مانده است. این تحقیق به روش توصیفی تحلیلی و با رجوع به منابع گوناگون در پیِ شرح و تفسیر چند بیت مبهم از دیوان ناصرخسرو است. مسالۀ اصلی تحقیق، اثباتِ تاثیر آشنایی با اندیشه‌های حکمی و فلسفی، در فهم برخی از ابیات مبهم دیوان ناصرخسرو است. نتایج تحقیق نشان می‌دهد که در تصحیح و شرح دیوان ناصرخسرو که محمل اندیشه‌های حکمی و فلسفیِ شاعر دربارۀ جهان، انسان و زندگی است، علاوه بر استناد به نسخه‌های قدیمی، توجه به اصولِ اندیشه و مبانی فکری شاعر، راهگشا خواهد بود. به عنوانِ نمونه بدون توجه به مفاهیم دیریابی چون نقطۀ مرکزی جهان و میل عناصر به آن، مهر و کین عناصر در عالم کون و فساد، جفت بودن عقل و نفس کلی و نقش این امر در آفرینش مراتب فروتر، عالم صغیر و عالم کبیر، نگونساری درخت و تصور ریشه به عنوان دهان آن و تاثیر خاصیت در شکار موش توسط گربه، فهم بخشی از ابیات مبهم دیوان شاعر در پردۀ ابهام باقی خواهد ماند.

explanation and analysis of some ambiguous verses in naser khosrow’s divan

in recent years, attempts are made to overcome some of the ambiguities in naser khosrow’s divan verses, while the remaining are yet to be overcome. the objective of this descriptive-analytical study is to explain and interpret some of the available ambiguous verses of naser khosrow’s divan by referring to different resources. the objective here is to demonstrate that being aware of philosophical thoughts affects overcoming the ambiguity of vases in naser khosrow’s divan. the results indicate that to facilitate the undertaking of correction and description of the subject, which is the core of the poet’s philosophical thoughts about the world, humans, and life, next to referring to the old manuscripts, close attention to the poet’s thoughts’ principles and origins is of high essence. as an example, with no deep grasp of the abstruse concepts as the central world topic and the element’s tendency toward it: 1) the elements’ love and hate in the world of existence and decadence, 2) the pairing of the wisdom and general soul and its contribution in constructing the lower world, the minor world, the major world, 3) overturning the tree and viewing its roots as its mouth, and 4) the advantages of a cat that catches a mouse, a major part of the ambiguous verses in this divan would remain ambiguous.keywords: nasser khosrow, divan of poems, ambiguous verses, description and interpretation, intellectual supportintroductionthe best-known edition of naser khosrow’s divan is presented by minovi and mohaghegh’s (1986) correction. didactic literature has a privileged stance in the history of persian literature. the objective of this literary genre is to train and teach: lifestyle, ethics, religious, gnostic, philosophy, and theosophical subjects. naser khosrow is one the most famous poets and authors who sought to teach philosophical subjects to his audience. understanding his poems in their proper sense is not possible without comprehending his ideological principles. reflection on his thought principles opens the door to interpreting some important verses of his divan. the objective here is to explain and analyze some important verses of naser khosrow’s divan according to his ideological principles.method and materialsthe adopted method here is a descriptive-analytical based on library sources to overcome some ambiguous verses of naser khosrow’s divan. the objective here is to reveal that the ambiguity of some verses arises from the complication in the poet’s philosophical thoughts and cultural background. in this context, while the general context of the ode in the style of the phrase in different verses is of concern, the detailed philosophical subjects, based on the prose, the works of other ismaili-era thinkers, and their intellectual sources are proposed.