فضای هنری عصر خیام: با نگاهی به هنر چهره نگاری زنان بر روی ظروف سفالین دورة سلجوقی

در اوایل اسلام ، تا قرن پنجم هجری ، از نقش انسانها به میزان بسیار محدودی در ظروف سفالی استفاده می شد و بیشتر محققان این نقوش را تقلیدی از نمونه های ساسانی می دانند. خوشبختانه ظروف سفالینی مربوط به دوران سلجوقیان (عصر خیام) وجود دارد که نقش و نگارهای ساخته شده توسط زنان را به نمایش می گذارد. در این مقاله ، علاوه بر تجزیه و تحلیل صحنه های این سفالگری ها که به عنوان نقاشی در نظر گرفته می شوند ، به تحلیل هنر این نقوش از نظر طراحی فنی ، هنری و نقاشی و در آخر ، تاثیرات تمدن های خارج از جهان اسلام بر آنها خواهیم پرداخت.

Art space in Khayyam era: Looking at the art of female portraiture on earthenware in Seljuk period

Most scholars of pottery in the Islamic era regard the pottery as a continuation of the Sassanid era. In the Sassanid era, the art of pottery was ultimately simple to meet everyday needs. The reason for this simplicity may be due to the use of a silver and gold ornamental ceramic container with drawings of various hunting, crime and levee scenes. In the Islamic era, the pottery industry flourished because of the lack of use of the gold container and the restriction of the use of silverware. Characteristics of Islamic art that were rooted in Islamic philosophy and religion promoted this art. With the boom and development of sciences, especially alchemy, in the Islamic era, pottery was glazed and scenes on earthenware were decorated with verses and hadiths, geometric motifs, animal motifs, and finally human motifs.In the early days of Islam, until the fifth century AH, the role of the human beings was used to a very limited extent on earthenware, and the human-made dishes were called Gabry Dishes. Although most scholars regard these motifs as imitations of Sassanid specimens, martial arts and national literature at that time inspired pottery artists. Fortunately, there are some potteries from the Seljuk era that feature women-made motifs and scenes. In this article, in addition to analysis of the scenes of these potteries which are considered to be paintings, we will analyze the art of these motifs in terms of technical, artistic design and painting, and finally, the effects of civilizations outside the Islamic world, including Eastern/ Buddhist art, in the creation of this art style will be analyzed.