تحلیل جهان‌پردازی روایتِ رباعی‌های حکیم عمر خیام از دیدگاه دیوید هرمن

روایت، فرصت بازنمود ذهنی یا برون‌داد نشانه‌ای یا متنی و منبعی برای تعامل ارتباطی را فراهم می‌کند تا در تفکر قیاسی با فراهم‌آوردن محیطی شناختی و ارتباطی برای رسیدن به دریافت تازه‌ای از خود و جهان پیرامونش، به مخاطب یاری رساند. جهان‌پردازی روایی یکی از عناصر بنیادین روایت و از شاخصه‌های اساسی روایتمندی در دهۀ اخیر است و در بررسی و تحلیل چگونگی ساخت جهانِ روایت کاربرد موثری دارد. در این مقاله با روش تحلیلی استنباطی و از دیدگاه جهان‌پردازی روایی طبق نظر دیوید هرمن، این موضوع در بخشی از رباعیات خیام تحلیل خواهد شد.

Worldmaking Analysis of the Quatrain Narrative of Omar Khayyam by David Herman

Narrative Worldmaking has been one of the Basic elements of narrative in the last decade and has been instrumental in survay and analyzing how the narrative world is constructed. This paper deals with this issue in a section of Khayyam's quatrains by deductive analytical method and from the perspective of narrative Worldmaking according to David Herman. Khayyam makes the two major worlds, spiritual and worldly, in this quatrain for the audience:Come from the hurried spiritual world,astonished at five, four, six, and sevenYou drink, you don't know where you came from, you don't know where you're goingKhayyam, by providing a cognitive environment, makes two analogies for the audience in the narrative of this poem, and considers the link between these two worlds to be wine and happiness. Wine drinking in the narrative Worldmaking Quatrain of Omar Khayyam is the secret of removing one's self from the subconscious to the subconscious, which makes the audience in a state of perception of the transcendent world that the narrator intends to draw and tangible to. Then bringing two worlds of where to go and where to go as two unbalanced events destroys the balance of the two big worlds of the first poem and disrupts the story world. Where these two unseen events come from and where you will go is a matter that is the fate of all human beings who are the main character of this quatrain, and thus disrupts the usual norm of knowing the mind of the audience, and By emphasizing drinking and happiness, it creates a discursive context that makes this quatrain narrative in the social context of the story {quoting Herman} in the sense that the new notion of normative perception creates audience perception. It creates a new perspective on both the material and spiritual worlds and the fate of man. In his quatrains, Khayyam disrupts the audience's initial equilibrium by creating globalization in the metropolis and providing the audience with the conditions of residence in the narrative world, and then with Worldmaking, leading him to a new cognitive perception of himself and the world around him.