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Critical Literary Studies
  
سال:2018 - دوره:1 - شماره:1
  
 
20th Century American Family Drama: An Exploration Of Image Of Loss
- صفحه:205-222
  
 
Automaton And Tyche In Postmodern British Novel: A Critical Treatment Of Chance In Jeanette Winterson’S The Passion
- صفحه:63-80
  
 
Gender And Performativity In Contemporary American Novel: A Butlerian Reading Of Gone Girl By Gillian Flynn
- صفحه:147-165
  
 
Globalization, Risk, And Transformation Of Intimacy: Investigating Mark Ravenhill’S Some Explicit Polaroids And Faust Is Dead
- صفحه:115-138
  
 
Guests In Albert Camus’S The Guest: Essence In Tartarus
- صفحه:167-183
  
 
Hannah Arendt’S Human Condition In Neil Simon’S Theater
- صفحه:97-113
  
 
Literature As A Medium To Foster Critical Thinking: A Case Study Of An Iranian Efl Classroom
- صفحه:185-204
  
 
Semiotic And Cultural Analysis Of English And Persian Advertising Slogans
- صفحه:39-61
  
 
The Detrimental Impacts Of Poppy Monoculture On Indigenous Subjects, Plants And Animals In Amitav Ghosh’S Sea Of Poppies
- صفحه:21-37
  
 
The Intertextual And The Theatrical In Postmodern Drama: A Case Study Of Stoppard’S Rosencrantz And Guildenstern Are Dead
- صفحه:81-95
  
 
The Traces Of Hermeticism In John Donne’S An Anatomy Of The World
- صفحه:139-146
  
 
Two Tales Of A City: London In Ben Jonson’S The Alchemist And Samuel Johnson’S London
- صفحه:5-19
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