المستویات الموثّره لالف لیله ولیله فی سُلاف بغداد لمحسن جاسم الموسوی

حکایات الف لیله ولیله بما تضمّنها من السّمات المنوّعهِ المبنیّهِ علی عملیّه السرد والوصف والحوار بین الشخصیّات فی حیّز الزمان والمکان، تعکس واقعَ المجتمع بمختلفِ جوانبه. حیث یسعی الرّوائی المعاصر الی تعزیز فعّالیّته الرّوائیه مُلهماً مما تتمتّع به حکایات الف لیله ولیله،کنصّ مصدرٍ، بتشحیذ ملکته الادبیّهِ وذهنه للخلقِ. روایه «سُلاف بغداد»، لمحسن جاسم الموسوی الناقد والرّوائی العراقیّ الذی استعار «بغداد» لتمثیل الواقع العراقیّ الکئیبِ بعد الاحتلال الامیریکی، لیست هی الّا دلیل علی تاثّره المباشر تارهً والمبدع وغیرالمباشر تارهً اخری، بالمناخاتِ السردیّهِ لحکایات اللیالی من الناحیّهِ الاسلوبیّهِ، وذلک لبثّ افکاره وتجربتِه الرّوائیه او المبدعه ومهارته النقدیّه کناقدٍ ادبیٍ غائصٍ فی مفاهیم السردّ وتقنیّاتِه. انّ الحصولَ علی ادراک دافع الرّوائی لاستلهام الاطار السردیّ لالف لیله ولیله، یُوضح ضرورهَ اجراءِ البحث الحالیّ بالمنهج الوصفی - التحلیلی. یبدو لنا انّ الهیکل السردیّ للرّوایه مع البناء السردیّ المتداخل والاماکن السریّه واحیاناً الخیالیّه وحضور الشخصیّات غریبهِ الاطوار واستخدام الشعر، مرتبطٌ بالف لیله ولیله. یمکن القولُ بانّ هذا التاثّرَ کقوّهٍ دافعهٍ لمشروعٍ یَهدف الی رسم اجواء بغداد الماضی الماساوی فی الخمسینات وبغداد المستقبل المجهول المخیف بجانب احوالِ حانه «سلاف» بروّادها ووقائعها بروایاتٍ عِدّهٍ فی روایهٍ واحدهٍ علی ید ساردهٍ شهرزادیّهٍ بین الواقعِ والخیالِ. اما فیما یتعلّقُ بمحتوى العمل الرّوائی، فیمکن قولُه وفقًا لوجهه نظر المولف النقدیّه والعدید من الکتبِ التی کتبَها فی مجال نقد الف لیله ولیله والروایه العربیّه، زوّد روایته صورهً فنیّهً بقراءهٍ جدیدهٍ من الف لیله ولیله وآلیات الرویه الفکریّه فیها. 

The Influential levels of The Thousand and One Nights in Soulaf Baghdad By Muhsin Jassim al-Musawi

The Thousand and One Nights, with its varied features based on the process of narration, description and dialogue between the characters in the space of time and place, reflects the reality of society in its various aspects, where the contemporary novelist seeks to enhance his novelistic effectiveness by being inspired by The Thousand and One Nights, as a source text, with the refinement of his literary faculties and his mind for creation. “Soulaf Baghdad” by Muhsin Jassim al-Musawi, the Iraqi critic and novelist, who borrowed “Baghdad” to represent the bleak Iraqi reality after the American occupation, is only the evidence of his direct, creative and indirect influence on the narrative climates of the tales of the nights from the stylistic point of view. For the spread of his ideas, his novelistic or creative experience, and his critical skill, as a literary critic, he is immersed in the concepts and techniques of narration simultaneously. Getting to know the novelist’s motive for inspiration from the narrative framework of The Thousand and One Nights, explains the necessity of conducting the current research using the descriptive-analytical method. It seems to us that the narrative structure of the novel, with its overlapping narrative structure, secret places, and the presence of eccentric characters, bringing poetry, associated with the thousand and one nights. It can be said that this influence is a driving force for a project that aims to draw the atmosphere of Baghdad, the tragic past of the fifties and Baghdad, its unknown and frightening future, next to the conditions and facts of “Soulaf” with its people, with several narrations in one narration by the narrator of Scheherazade, between reality and imagination. As for the content of the fictional work, It can be said that according to the author’s critical viewpoint and the many books he wrote in the field of criticism of The Thousand and One Nights and Arabic narratology has provided his novel with an artistic image with a new reading of The Thousand and One Nights and the mechanisms of intellectual vision in it.