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   چالش‌های گاه‌نگاری و کاربری سفال‌های مهرشده، مطالعۀ موردی نمونۀ قلعه‌اسرار قهستان  
   
نویسنده مکوندی لیلا ,دانا محسن ,رافعی رضا
منبع مطالعات باستان شناسي پارسه - 1400 - دوره : 5 - شماره : 17 - صفحه:95 -109
چکیده    در شرق باستان، مهرهای استوانه ای برروی اشیاء گِلی و به ویژه گل نبشته ها به عنوان نماد هویتی اشخاص و مراکز اداری به کار می رفت. اما کشف نمونه سفال هایی که برروی آن ها مهر استوانه ای زده شده، چالش جدیدی را پیشِ روی باستان شناسان نهاده است. با توجه به تعداد اندک سفال های مهرشدۀ به دست آمده، آن چه باستان شناسان را در برخورد با این موارد به چالش وامی دارد، پاسخ به دو پرسش اصلی است؛ کاربرد سفال های مهرشده چه بوده است؟ و این که آیا اساساً می توان گاه نگاری دقیقی برای این نمونه قطعات سفالی ارائه کرد؟ یکی از نمونه های به دست آمده، قطعه سفالی مهرشده از محوطۀ قلعه اسرار در خراسان جنوبی است که ارائه گاه نگاری و شناخت کاربرد آن هدف محوری پژوهش حاضر است. بدین منظور تلاش گردیده است که در ابتدا به مسالۀ سفال های مهرشده، با توجه به بستر زمانی و مشکلات و چالش های مطالعۀ آن ها پرداخته شود، سپس نمونۀ قلعه اسرار ازنظر گونه شناسی سفال، سبک و نقش مهر استوانه ای روی آن بررسی و تحلیل گردد.پژوهش حاضر با رویکرد توصیفیتطبیقی و تحلیلی انجام شده است. در این پژوهش به روش میدانی و کتابخانه ای انجام شده و از پژوهش ها و نظریه های مختلف در این زمینه بهره گرفته شده است. نتایج این پژوهش نشان می دهد که سفال مهرشدۀ قلعه اسرار تولید محلی و مهر آن نیز به سبک محلی با نقش مایه های رایج مربوط به نیمۀ نخست هزارۀ اول پیش ازمیلاد، است. احتمالاً این ظرف برای جابه جایی کالا به این محل مورد استفاده قرار گرفته است.
کلیدواژه qal’eh asrār، قلعه‌اسرار، سفال مهرشده، مهر استوانه‌ای، هزارۀ اول پیش‌ازمیلاد، عصرآهن جدید
آدرس دانشگاه کاشان, دانشکدۀ معماری و هنر, گروه باستان‌شناسی, ایران, وزارت میراث‌فرهنگی، گردشگری و صنایع‌دستی, ایران, دانشگاه بیرجند, دانشکدۀ هنر, گروه باستان‌شناسی, ایران
پست الکترونیکی rafae.reza@gmail.com
 
   Problems of Chronology and Usage of Sealed Potteries: Case of Qal’eh Asrāre Ghahestān Fragment  
   
Authors Makvandi Leila ,Dana Mohsen ,Rafae Seyed Reza
Abstract    AbstractCylinder seals usually were used on clay objects, especially tablets, as a symbol of individual’s identity and administrative centers of the ancient East. While, rare potteries sealed by cylinder seal are a new case for archaeologists. Based on the small number of sealed pottery fragments found, archaeologists are dealing with several main questions: Why cylinder seals used on pottery? What is the usage of sealed pottery? And whether it is possible to provide an exact chronology for these potteries? A sealed pottery fragment from the site of Qal’eh Asrār in South Khorāsān is an example which is also our subject matter in this present study. The area of Qal’eh Asrār is located 1800 meters southeast of Barandood village and 800 meters northwest of Zarbarandood village of Ghohestān section of Darmiān city. This area is currently located on top of a natural hill at a height of about 200 meters above ground level. Analysis of potteries found on the surface of site shows that the occupation of it belongs to Late Iron Age and Achaemenid period, although there are also small numbers of pottery belonging to the late Islamic centuries. In this paper we try to study a fragment of a sealed pottery found from surface of site. Firstly, we deal with the issue of sealed pottery with regard to the context and the problems and challenges of its study, then we try to analyze sample pottery of the Qal’eh Asrār in terms of typology, style and its legend. This study shows that the sealed pottery of Qal’eh Asrār is locally produced and its legend is a local style with the common motifs of first half of the first millennium BC. As this site is probably a garrison, this container could be used for bearing commodities to the construction.Keywords: Qal’eh Asrār, Sealed Pottery, Iron Age, Achaemenid period, Local Style.IntroductionIn ancient near East, the stamp and cylinder seals have been used on diverse clay objects such as bullae and tablets to sealed administrative documents, but use of seals on pottery is rare. Since 3rd millennium B.C Fragments of sealed pottery have been found in sites from north Iraq and Syria (Collon, 1987: 13; Oates, 2001), Levant (Amiet, 1975: 425426), west and south western of Iran (Caldwell, 1976), Shahre Sukhta in south east of Iran (Baghestani, 1997: 34 43; Hakemi & Sajjadi, 1989: 145) and central Asia (Sariandi, 1986; Heibert, 1994a). Several fragments back to the Iron Age I and II were found from Bahrain in Persian Gulf (Olijdam, 2008) and Central Plateau of Iran in Tepe Sialk (Malekshahmirzadi 1381: 25) and Gholi Darvish in Qom (Sarlak 1386: 193 194). Most of these sealed potteries are small fragments that have been found mainly as single fragment on the surface of sites. A small number, such as the Gonur Depe fragment in Turkmenistan (Sariandi, 1986: fig.123) or the Tell Brak in Syria (Oates, 1985: 257), have been found from archaeological excavation. In archaeological survey of Qal’eh Asrār in South Khorasan, Iran, one fragment of sealed pottery with a cylinder seal impression was found in archaeological survey. There are several questions raised here. Is it possible to provide an accurate chronology for the sealed pottery of Qal’eh Asrār? Why the pottery sealed, specifically with cylinder seal? Are these sealed pottery have an administrative function and were used as a kind of administrativeeconomic object or tool? Or here seals just used as decoration? In this paper, which is a descriptivecomparative and analytical approach, firstly we examine the challenges related to chronology and recognizing the function of sealed potteries in archaeological studies, then we focus on study Qal’eh Asrār fragment and its seal impression.Chronology and Usage of Sealed PotteryArchaeologists have two different approaches for chronology of sealed potteries. If these fragments are found from excavation, they propose site stratigraphy to date it. But, most of the sealed pottery has been found on surface of sites, so dating will be complicated. In fact, archaeologists use two methods to date sealed potteries, such as Qal’eh Asrār case; they propose the chronology based on typology of pottery or the style and image of seal impression. Function of sealed pottery is under debate too; there is no consensus on why sealed potteries are made and how it has been used. In general, the proposed suggestions can be divided into three groups, although, there are many doubts about each of these three views. 1 The image of seal on pottery was for decoration.2 The seals are the sign or signature of the potters who identifies the ownership and identity of his handicrafts.3 Sealed pottery has an administrative function and has been used for storing or moving commodities.The style and image of the cylinder seal impression of Qal’eh Asrār sealed potteryThe image of Qal’eh Asrār seal does not show a unified theme and its upper part is broken. In part of the image a human is standing, bending one hand from the elbow and holding a cane, his other hand is not clear, it had stretched body with broad shoulders and arms, the proportion between the upper body and the legs is not observed and the upper body is taller than the legs. It seems he have a dagger in his waist. On both sides of the human image are two birds. On the left side is design of the quadruped (donkey?) and in front of it is a horse, both are upside down. Of course, the horse’s head is broken. Between the two images are a small bird at the top and probably a sitting human at the bottom. The style of Qal’eh Asrār seal is a local style which focusing on the outer lines, not paying attention to the details. ConclusionStudies on sealed potteries in diverse sites, despite different time and cultural periods, shows the following common features can be observed:1 All fragments of sealed pottery are locally produced.2 The seals that are used on these potteries also have a local and indigenous style, and this indicates the locality of their production.3 Sealed pottery fragments indicate they should mainly belong to medium and large jars. 4 In most of fragments seal was mainly used at the area between the neck and body of the ware. Given the common features mentioned, it can be argued that these potteries had an administrative aspect. However, they used locally which both the pottery type and the seal originate from the local culture of the same region, and there are no examples that show their displacements or dispersion in a wider cultural context.A comparative study of Qal’eh Asrār sealed pottery shows that this pottery is locally produced and cylinder seal used on it also has local style of the 1st millennium B.C. Due to pottery type and the presence of architectural remains, this area is suggested to be a garrison to protect the road in the late Iron Age early Achaemenid period, and the style and image of the seal on the pottery also confirms the proposed chronology.
Keywords Sealed Pottery ,Iron Age ,Achaemenid period ,Local Style.
 
 

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