L'oralité dans L'Incendie de Mohamed Dib

Our problem is in the literature of our ancestors, this literature existed for affirmation and identification ofalgerians. however, this literature or these african literatures were specific by their distinction from theoccidental one because they permit to the reader to discover national heritage and african countries culturethrough the orality that one discovers in the works of the majority of african and maghrebi writers.the structure of “dib” artwork reveals strong relations to the field of orality, in one hand, andimpregnation by discourse and values of this field on the other hand.this writing orientation shows an aesthetic feature.