L’Ecriture Romanesque Comme Reconciliation Du Coupleinfernal, Dans « Ce Que Le Jour Doit À La Nuit » De Yasmina Khadra

History writing is devoted to academic involved researchers ,who possess the adequate tools that serve asadequate means to measure precisely and impartially the document stored in the archives or collected amongcredible and neutral witnesses .reading here is subject to interpretations and decodings of different levels according to the dimensions ofsocial cleavage ,of political and religious convictions and of ready made opinions ,etc…,which influences thetransparent discernment and which distorts sometimes clear and shinning reality through adding imagesoriginating from the subconscient with emphasises on freeing interests and breaking taboos.the itinirary of the algerian literature produced in french which is great and tumultuous is a necssaryhistrial material for history specialised academics .at the same time writing is itself a “history “,that reflectsawriter submitted to the three dimensions phenomenon which are “language-style-narrating”,where language is adescription of the social phenomenon through a style is the individual print that is wrought by the authorsconvictions ,culture,biography his feelings among others.that is confirmed by yasmina khadra in his novel“what day has to night”,the message that the author tried to spread through the waves of two mideteraneanstations for reconcilling this prospective infernal marital relation between algeria and france.