تجلیات الخطاب الصوفی ومکوّناته فی شعر محمود حسن اسماعیل(مجموعه صوت من الله نموذجاً)

یمثّل الادب الصوفی لوناً من الوان الادب الرفیع یحمل فی طیّاته اسمی المعانی وخصائص السموّ الروحی. وقد نهل محمود حسن اسماعیل من معین التجربه الصوفیه خاصه فی دیوانه صوت من الله الذی یمثل مرحلهً متمیزهً من مراحل التطور الشعری عنده، حیث تحوّلت قصائده الی مناجاه یستلطف فیها الذات الظمای بالذات الالهیه. هذه الدراسه تعرض بمنهجها الوصفی والتحلیلی مکونات الخطاب الصوفی فی شعر محمود حسن اسماعیل وتدرس اشراقاتها ورواها من خلال مجموعته صوت من الله . واهمّ النتائج التی توصّلت الیها الدراسه هی انّ الشاعر وظّف فی دیوان صوت من الله بعض افکار الصوفیه منها وحده الوجود، والفناء فی الذات الالهیه، وانعکست هذه الروی فی بناء قصائدها وتراکیبها، فحوّلتها الی قصیده رویا صوفیه حلّق الروح فیها فی عوالم جدیده وتخلص الجسد من مادیته. ومن جانب آخر، یشکّل حبّ الذات المطلقه المبدا الاساس فی دیوان صوت من الله اذ اعتق روحه من قیود الجسد فرحل الی اقاصی الوجود وسما به نحو الاتّحاد مع الذات الالهیه والفناء فیه. ومن الناحیه اللغویه، تمیّزت اللغه الصوفیه لدی محمود حسن اسماعیل بتوظیف بعض الرموز الصوفیه التی لها دلالات ظاهره وخفیه، منها النای، النور والخمر التی تکثر فی شعره مقارنه بالرموز الاخری، وذلک باسلوب زاد المعنی جمالاً وروعهً.

The Manifestations of Sufi Discourse and its Components in the poetry of Mahmoud Hasan Ismail: A Case Study of Soot Min Allah (The Voice of God)

Sufi literature is a kind of transcendent literature that contains sublime meanings as well as high spiritual attributes and characteristics. Mahmoud Hasan Ismail inspired by the Sufi experience, which represents a special stage in the evolution of his poetry has represented transcendental themes in his work Soot Min Allah (The Voice of God), which is the manifestation of his thirsty soul in reaching the absolute divine essence. This study through a descriptive and analytical method represents the components of the Sufi discourse in the poetry of Ismail and examines its brightness and visions through his collection The Voice of God . The most important finding of the study is that the poet in his mystic speech exceeded the limits of intertwining with the ideas and references of Sufism. This is reflected in the construction of his poems, images and compositions, turning it into a mystical vision where the soul flew in new worlds and rid the body of its material. On the other hand, an absolute selflove is the basic principle in ldquo;The Voice of God rdquo;, whose spirit is emancipated from the flesh of the flesh, so he goes to the ends of existence and calls it towards union with the divine self and its annihilation. In linguistic terms, the Sufi language of Ismail was characterized by the employment of some mystical symbols that have visible and hidden connotations, including flute, light and wine, which abound in his poetry compared to other symbols, in a manner that has increased the meaning of beauty and splendor.