تحلیل لغوی تفسیری گستره معنایی واژگان مرتبط با معاد در قرآن کریم (مطالعه موردی واژگان با بار معنایی بازگشت)

In the field of “maad”, there are many words (28 words) that only 17 cases are used in this field. this article, has examined meaning of these words and common points and conceptual differences between them from valid arabic dictionary and commentators' views and concluded that each of these words in this area have share semantic with other words and because of that put in the qur'anic likes (nazayer) while not found in the vojoh and nazayer book. and so some words have special meaning that cant replace them with their likes (nazayer) due to the vers conception is attachment of most of this words to meccan chapters that is associated with the concept of madani chapters.نتیجه مهم دیگر تعلق غالب واژگان حوزۀ معاد به سور مکی است که مرتبط با محتوای سور مکی می باشد. نتیجه مهم دیگر تعلق غالب واژگان حوزۀ معاد به سور مکی است که مرتبط با محتوای سور مکی می باشد.

Lexical and commentary analysis of the words related to “Maad” in the Qur'an

In the first centuries of Islam according to books such as The Murder of the Qur'an by Abu Ishaq Tha'labi (d. 427 AH) the Qur'an aroused so much attraction in the audience and affected them so much that it made them drunk, tears. It flowed from their eyes, and in many cases, its impact was so great that the Samanids and the Talians of the Qur'an surrendered to the Creator. This article examines this issue in a descriptiveanalytical way and with emphasis on the book Qatliya alQuran Thalabi whose anecdotes are directly related to the tremendous influences of the Qur'an concluding that: Same plays a role in this, but both recent elements are based on the main element the Qur'an. The Qur'an itself has a melodic and melodic structure that, with the transient elements of sad voice, voice arising from the purity of the soul and melodious voice, influences Saman and Talian from the glorious and beautiful dimension; It has an effect that is not comparable to similar cases, and this effect is more in the aspect of glory and fear and fearlessness, and the effect of beauty, in addition to acting independently, paves the way for the glorious dimension. It also prepares, in a way, this effect in a very powerful sense.