روشنگری پارادوکس مفهوم سیما از منظر عارفان و نظریه‌پردازان شهری

ازآنجایی که فضاهای شهری کانون تمرکز ساکنان زمین اند، آن ها را می توان مناسب ترین عرصه تظاهر و تجلی فرهنگ بشری، ارتباطات اجتماعی و تاریخ ملت ها به شمار آورد، اما آنچه امروز در شهرهای ایرانی رخ می نماید نوعی عدول از ارزش های غنی فرهنگی و کهن ساکنان این سرزمین و با نگاهی عمیق تر واژگونی هنر زمانه است. تردیدی نباید داشت که طراحی سیمای شهری در شکل گیری شهرها بسیار تاثیرگذار بوده است. این مولفه شهری و نمادهای آن، نمودار شخصیت، کارکرد و فرهنگ ساکنان آن هستند و از همین روست که جلو ه های معنوی شهر نیز اعتباری شایان توجه دارند. سیمایی که تا به امروز از مفهوم یگانه ای در حوزه های مختلف ادبی، هنری، عرفانی و شهرسازی برخوردار نبوده است و جایگاهش در حوزه شهرسازی هنوز نامعلوم است. آیا سیما ظاهر شهر است یا درک ذهنی شهروندان از آن؟ ادراک منظر شهری، سیما نام دارد یا چهره اصلی شهر؟ این پژوهش سعی در بازآفرینی این مفهوم اصیل معماری به روش توصیفیتحلیلی و از طریق مقایسه نظریات گوناگون در حوزه های مختلف ادبی، عرفانی و شهرسازی در راستای روشنگری پارادوکس موجود در مفهوم سیما دارد. درنهایت مطالعات کتابخانه ای صورت گرفته در این زمینه و تطبیق تعابیر گوناگون از این واژه در حوزه های مطالعاتی، تناقض موجود را برطرف ساخت و مشخص گردید که می توان در حوزه شهرسازی نیز همانند حوزه های ادبی و عرفانی، سیما را صورت و ظاهر دانست که ظهور و بقای معنا جز از طریق آن، ممکن نیست؛ بنابراین تنها راه یافتن معنای هر فضای شهری، بررسی سیمای آن برای رسیدن به سیرت موجود می باشد و می توان عبارت سیما و سیرت را به عنوان مفهومی نوین در حوزه شهرسازی مورداستفاده قرار داد که به نوعی هم بیانگر صورت و چهره شهر باشد و هم معنای موجود در پس ظاهر را نمایان سازد.

Enlightenment of the paradox of the concept of image from the view of mystics and urban theorists

Since urban spaces are the focal point of the inhabitants of the earth, they can be considered the most appropriate area of manifestation of human culture, social communication and the history of nations, but today what is happening in Iranian cities is a departure from the rich cultural and ancient values of the inhabitants of this land and by a deeper look reversal of the art of the times. There is no doubt that cityscape design has been very influential in the formation of cities. This urban component and its symbols reflect the character, function and culture of the citychr('39')s inhabitants, and therefore the spiritual effects of the city are worthy of credit. This cityscape has not had a single concept in different literary, artistic, mystical and urbanization yet and its position in the field of urbanization is still unclear. One of the most important foundations of religious art is the consideration of meaning behind the face and appearance in such a way that the discovery of any meaning for man is in the form in which the meaning of it is manifested. Mysticism also places two dimensions of appearance and interior for each reality, and believes that the survival of meaning is not possible except through the form and what the mind can understand is a meaning that appears in the order of a form. But the issue that has been addressed in this study is whether this form and appearance are the same as the cityscape in urbanization? This research attempts to recreate this notion of architectural descriptiveanalytical method by comparing different theories in various literary, mystical and urban areas in order to clarify the paradox in the concept of cityscape. In Persian, the word image means a face, a face or a state in the form of a human being that represents internal states, which is the same as the one used in the field of mysticism, and ultimately, the form and the meaning in the unity that is the face of the same meaning and The meaning is the same, but in the area of urbanization, various and contradictory interpretations of the term image have been brought about, which is far removed from the general meaning of cityscape; so that for some urban planners, cityscape is the subjective aspect of Urban Landscape , and everything that one perceives after viewing the perspective, cityscape knows, but some others introduce cityscape to the same face and appearance of City. According to the data of this research in the field of the concept of the word image in various literary, artistic, mystical and urban areas, it seems that the word Image has not been correctly equated in the field of urbanization. Regarding the purpose of this study, the insight of this contradiction of the concept of image in various fields of study, it can be concluded that in the field of urbanization, as in the literary and mystical areas, the concept of the word cityscape should be the same face and appearance of the city and the term cityscape And nature as the equivalent and perhaps new replacement for the urban landscape that is being used today in urban planning with a different conception. This phrase also expresses the face and the face of the city, and it mirrors the meaning of the appearance.