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   Kiarostami’s Unfinished Cinema and its Postmodern Reflections  
   
نویسنده Yousefian Kenari Mohammad Jafar ,Mokhtabad Mostafa
منبع the international journal of humanities - 2010 - دوره : 17 - شماره : 2 - صفحه:23 -37
چکیده    Kiarostami’s unfinished cinema emphasizes the importance of audiences’ involvement in a movie by using postmodern images. some essential points of critically reading his, so-called half-created cinema, could be summarized as self-reflexive style, diagrammatical perspectives, in-between narratives,and individual minimalism. the main postmodern achievement of this cinema is focusing on the process of creating meaning through the experience of film. furthermore, the close-ups function as separate independent units that are constantly generating their implicit affections. inthis respect, kiarostami’s unusual works are interpretable by deleuze’ some neologism like affection-image. the films are some affective micro-dramas formed in a gap between the audiences’ receptions and the close-ups. despite their postmodern reflections, unfinished movies have no strict disciplines that may limit the process of creating meaning. this paper attempts to present a new approach of reading kiarostami as an increasing global interest.
کلیدواژه Kiarostami ,Unfinished Cinema ,Postmodernism ,Critical Reading
آدرس tarbiat modares university, Faculty of Arts, ایران, tarbiat modares university, Faculty of Arts, ایران
پست الکترونیکی mokhtabadm@modares.ac.ir
 
     
   
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