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Kiarostami’s Unfinished Cinema and its Postmodern Reflections
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نویسنده
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Yousefian Kenari Mohammad Jafar ,Mokhtabad Mostafa
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منبع
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the international journal of humanities - 2010 - دوره : 17 - شماره : 2 - صفحه:23 -37
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چکیده
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Kiarostami’s unfinished cinema emphasizes the importance of audiences’ involvement in a movie by using postmodern images. some essential points of critically reading his, so-called half-created cinema, could be summarized as self-reflexive style, diagrammatical perspectives, in-between narratives,and individual minimalism. the main postmodern achievement of this cinema is focusing on the process of creating meaning through the experience of film. furthermore, the close-ups function as separate independent units that are constantly generating their implicit affections. inthis respect, kiarostami’s unusual works are interpretable by deleuze’ some neologism like affection-image. the films are some affective micro-dramas formed in a gap between the audiences’ receptions and the close-ups. despite their postmodern reflections, unfinished movies have no strict disciplines that may limit the process of creating meaning. this paper attempts to present a new approach of reading kiarostami as an increasing global interest.
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کلیدواژه
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Kiarostami ,Unfinished Cinema ,Postmodernism ,Critical Reading
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آدرس
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tarbiat modares university, Faculty of Arts, ایران, tarbiat modares university, Faculty of Arts, ایران
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پست الکترونیکی
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mokhtabadm@modares.ac.ir
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Authors
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