EXPRESSIVE EFFECTS WHEN THERE IS NO MUSIC IN FILMS: EXAMPLES, ANALYSIS

Cinema has always been a media which depened on sound as much as it did to visuality if we exclude the first period of the film. there are hardly any film which does not have any in formation/emotion transfer through phonic (vocal) elements. there upon images and sounds are formed through a narrative strategy set as elements showing in separableintegrity. ignoring the case of music that constitutes one of the components forming the case of sound can be accepted as an important narrative choice, because the case of music, as being an element which carries the predicate of the narrative together with images and dialogues comes into prominence. therefore, films are rarely made devoid of music. this study focuses on thequestion of as to what dramatic role the use of music performs in today’s cinema and from this perspective what does the music ignoring means. it should be noted that, the concept of music ignoring is primarily used in the context of the ignoring of non-diegetic music. because, this music is not a natural component of narrative real mandhence its effect on sense generation (creation) is more dominant in comparison with diegetic music. in this study, the effects caused by the absence of music was analyzed on three separate parameters. in the study, weconcentrated mostly on holistic/relative consequences of music ignoring rather than the exact results of effect screated by music ignoring. it was found that the aesthetic effects of music ignoring on all studied and analyzed films or dramatic scenes - in generalis more complex than already known.