THE EXISTENTIALIST THEMES AND TENDENCIES IN IRANIAN NEW WAVE

The term: ‘iranian new wave’ is often used to describe the films whose film language are far more different than the mainstream, besides having a different structure in culture and moral bases. culturally this cinema depends on relations between the visual and and oral, while morally reflects that even the most ordinary lifes are worth to be filmed, the details of life, the richness of a child’s naivity and the deepest challange of the ordinary people from a religious perspective. this cinema reflects this cultural and moral based understanding in a simple and minimal reality, while it narrates the existentialist themes in a unique tendency.