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   genre shift and identity maintenance – an analysis of iranian war film genres (1980-2013) with niklas luhmann’s social systems theory  
   
نویسنده sarkar farshi golnaz
منبع كيمياي هنر - 2019 - دوره : 7 - شماره : 29 - صفحه:56 -71
چکیده    A close observation of iraniraq war films in the iranian society reveals that their genres have shifted in the course of the society rsquo;s evolution. this questions the categorybased principles of genre we have known so far in literature concerning film theory and necessitates a new conceptualization of genre, which can be realized with the aid of niklas luhmann rsquo;s social systems theory. this theory abandons categorization in favor of functional differentiation and helps us observe iranian war movies in their societal context. by taking a close look at the function of film in the society as one of the mass media, and through locating the concepts of memory, reality, identity and genre in luhmann rsquo;s theory, i shall find a pattern in the mentioned genre shift which is in turn punctuated by the iranian society rsquo;s different stages of evolution. to do so, i shall rely on a qualitative, analytical and critical method.
کلیدواژه film genre ,identity ,iran-iraq war ,niklas luhmann ,social systems theory ,war film
آدرس university weimar, آلمان
پست الکترونیکی golnaz.s.farshi@gmail.com
 
   Genre Shift and Identity Maintenance – An Analysis of Iranian War Film Genres (1980-2013) with Niklas Luhmann’s Social Systems Theory  
   
Authors Sarkar Farshi Golnaz
Abstract    A close observation of IranIraq war films in the Iranian society reveals that their genres have shifted in the course of the society rsquo;s evolution. This questions the categorybased principles of genre we have known so far in literature concerning film theory and necessitates a new conceptualization of genre, which can be realized with the aid of Niklas Luhmann rsquo;s social systems theory. This theory abandons categorization in favor of functional differentiation and helps us observe Iranian war movies in their societal context. By taking a close look at the function of film in the society as one of the mass media, and through locating the concepts of memory, reality, identity and genre in Luhmann rsquo;s theory, I shall find a pattern in the mentioned genre shift which is in turn punctuated by the Iranian society rsquo;s different stages of evolution. To do so, I shall rely on a qualitative, analytical and critical method.
Keywords film genre ,identity ,Iran-Iraq war ,Niklas Luhmann ,social systems theory ,war film
 
 

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