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genre shift and identity maintenance – an analysis of iranian war film genres (1980-2013) with niklas luhmann’s social systems theory
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نویسنده
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sarkar farshi golnaz
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منبع
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كيمياي هنر - 2019 - دوره : 7 - شماره : 29 - صفحه:56 -71
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چکیده
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A close observation of iraniraq war films in the iranian society reveals that their genres have shifted in the course of the society rsquo;s evolution. this questions the categorybased principles of genre we have known so far in literature concerning film theory and necessitates a new conceptualization of genre, which can be realized with the aid of niklas luhmann rsquo;s social systems theory. this theory abandons categorization in favor of functional differentiation and helps us observe iranian war movies in their societal context. by taking a close look at the function of film in the society as one of the mass media, and through locating the concepts of memory, reality, identity and genre in luhmann rsquo;s theory, i shall find a pattern in the mentioned genre shift which is in turn punctuated by the iranian society rsquo;s different stages of evolution. to do so, i shall rely on a qualitative, analytical and critical method.
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کلیدواژه
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film genre ,identity ,iran-iraq war ,niklas luhmann ,social systems theory ,war film
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آدرس
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university weimar, آلمان
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پست الکترونیکی
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golnaz.s.farshi@gmail.com
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Genre Shift and Identity Maintenance – An Analysis of Iranian War Film Genres (1980-2013) with Niklas Luhmann’s Social Systems Theory
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Authors
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Sarkar Farshi Golnaz
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Abstract
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A close observation of IranIraq war films in the Iranian society reveals that their genres have shifted in the course of the society rsquo;s evolution. This questions the categorybased principles of genre we have known so far in literature concerning film theory and necessitates a new conceptualization of genre, which can be realized with the aid of Niklas Luhmann rsquo;s social systems theory. This theory abandons categorization in favor of functional differentiation and helps us observe Iranian war movies in their societal context. By taking a close look at the function of film in the society as one of the mass media, and through locating the concepts of memory, reality, identity and genre in Luhmann rsquo;s theory, I shall find a pattern in the mentioned genre shift which is in turn punctuated by the Iranian society rsquo;s different stages of evolution. To do so, I shall rely on a qualitative, analytical and critical method.
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Keywords
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film genre ,identity ,Iran-Iraq war ,Niklas Luhmann ,social systems theory ,war film
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