ساختارهای زمانی نو در سینما، با رویکرد به روایت شبک های فیلم

Abstractnew temporal structure, especially in two recent decades, is a method to articulate the narration offilm story, in which storytelling uses game or manipulates in film temporal structure, challenges orinteracts with film audiences to participate in film remaking in their mind or final interpretation. actually,directors, of these films present complex stories or create complication in time to tend especialintellectual spectator and create a kind of thoughtful pondering cinema. one of these films, newtemporal structure, named network narrative in which director intends to present single or multiplestories from the point of view of multiple characters telling through the film, represented differentconception of reality or similarities of an event of multiple stories from the pov of multiple charactersvia these differences or similarities accomplishes to make culture on the issue of globalization ofhuman worlds. on the other hands, this is a kind of extension of human knowledge to the outer space,makes, thus, network of humans have the similar destinies. actually, another film of this kind, newtemporal structure, named puzzle or mind-game complex narrative films. this extension of humanthought is to the inner space of human mind to represent their dreams, hallucinations, memories, andthoughts. new temporal structure, is an answer to the millennium films in two recent decades or areaction against the extreme extension of human relations in the realm of knowledge, culture, science,economy, etc. therefore, at the beginning of new millennium, a group similar destiny for human beingshave been created. theoretical approach to this research is on the base of thoughts of two famoustheoricians of narrative discourse, gerard genette & david bordwell. the former debates on thestrategy of narrative discourse to the focalization of narrative in which he means visual concepts andeven total conceptions of the concept every time and focalizes area of narrative information to oneof the fiction characters, whereas the latter’s approach is more constructive or structural. he debatesabout it in the poetics of cinema’s and analyses network narrative and historical basis of creation inmovies. in an essay called mutual friends and chronologies of chance of poetics of cinema, he hasexplained the kinds of network narrative, and has exemplified and analyzed some of the importantmovies made by nn. he believes that ‘narration makes networks’. narration of each film, in coaxingus to build the story world a particular way, must expose the relationships among the characters. ina network tale, the narration does this with an elaborateness seldom seen in the more ordinary movie.the narrations should often reveal connections, anticipate and conceal them too. more evidently, thenarration of a movie must show how characters are separated by a few links. network narrative filmas a new temporal structure can reveal and anticipate connections by employing unrestricted narration,skipping and back and forth among people and places. on the other hands, method of research inthis essay is surveying on the base of other masters and theoricians in this field and the related ones, inwhich each one of courses is accomplished to the special subjects and analysis of instance film madeby network narrative