قابلیت های هنر اسلامی در موسیقی تصویر در بررسی نمونه ای دو اثر ساخته شده در ایران

Abstractthe islamic arts have ideological basis and epistemological predilection. artist’s look in such world isintroverting and truth-seeking. this trait is similar with music inherent, which is basically an abstractart, in some elements. music video phenomenon which has been introduced and widely extendedduring the last decades can be an appropriate form in experiencing the imaginations of this term.music video is a combination of music, lyrics and visual forms of images. in different types of musicvideos, all types of musics (pop, rock, classical and folk musics, etc.) have been used. by studyingon islamic art traits, the authors have found out that there are many expressing elements which havepotentialities for imaging. this way of imaging somehow depends on coding system which is amongthe islamic art’s specifications. so the authors decided to study the islamic arts and their equivalentsin music video based on this pictorial coding. in previous years, two music videos have been made iniran which has used expressive elements of islamic theosophical art as their basic expression forms.these successful exemplars which have dealt with these issues of islamic art demonstrate that musicvideo, as one of the most popular and affective forms in film and television imaging can be an appropriatecontext for expressing introversion arts concepts, like islamic arts. this article tries to studyon the capability of islamic arts in this imaging form. studying these elements, such as dream-likebasis of islamic arts, symbolic look to visible world, artists’ use of theosophical thought, function ofmusic, and the way(s) of influencing the audience by introducing their familiar mental codes, showthat the islamic arts include special features and capabilities in media imaging. the article tries torecognize these features and capabilities in new ways of imaging, by studying and discussing on twoiranian music videos, named in the moon embrace, navaii. music video is a manifestation of intelligencewhich its short time causes elegance and brevity of expression. so in making a music video,all of the rules can be used without emphasizing on any of them, and then discover new rules. musicvideo is an experimental field. this phenomenon makes its world more specifically and wider year byyear, and therefore it may be one of the most flexible forms in the 21st century. the ability of musicvideo in shaping mental images, and its function in relation with music, makes a basis which expressivespaces of music might have been objective. emerged world of music does not follow the logicof the real world, it comes from the human mind and effects on it. on the other hand, the islamic arts,take meanings from metaphysics to create forms of fantasies. it comes from deep inside of the artistto recognize human and his/her place in the universe. this article tries to study on relations betweenmusic and expressive elements of islamic theosophical art in a phenomenon which is a common pointin music and image (music video). therefore the artists can explore new areas to attract a wide rangeof audiences