گونه‌شناسی درب‌های سنتی شهر تاریخی ماسوله

کشور ایران به‌جهت دارا بودن پیشینۀ تاریخی غنی در عرصۀ هنر و معماری، دارای درب‌های متنوع و زیبایی است که برمبنای نیازهای کاربران و آرایه‌های آن نیز براساس مفاهیم فرهنگی، مذهبی و تعاملات اجتماعی شکل‌گرفته‌اند. ورودی‌ها، نقشی اساسی در تفکیک ابنیه با فضای عمومی ‌دارند. قدمت هزارسالۀ ماسوله و حضور آهنگران و نجاران چیره‌دست آن موجب شکل‌گیری درب‌های زیبا در ابنیۀ مختلف آن گردد. هدف پژوهش، گونه‌شناسی و شناخت انواع درب‌های سنتی شهر تاریخی ماسوله است. در این پژوهش 32درب قدیمی ماسوله برمبنای مطالعات، توصیفی-تاریخی و تطبیقی مورد بررسی قرارگرفته‌ است. پرسش‌ها و فرضیه‌های پژوهش بدین شرح است؛ درب‌های سنتی ماسوله در چندین سطح دسته‌بندی می‌گردند؟ عوامل موثر در شکل‌گیری نقوش و تزئینات درب‌های سنتی ماسوله کدم‌اند؟ میزان فراوانی درب‌های سنتی به تفکیک محلات، تفاوت‌ها و شباهت‌های درب‌ها از منظر کالبدی، کاربری و تزئیناتی در ماسوله چگونه است؟ فرضیه‌های پژوهش عبارتنداز: به‌‌نظر می‌رسد درب‌های ماسوله در سطوح درب‌های ابنیه -مذهبی، مسکونی و تجاری- دسته‌بندی می‌گردند و مفاهیم دینی و مذهبی موجب شکل‌گیری آرایه‌های درب‌های ابنیۀ مذهبی موثر بوده‌اند و پاسخ‌گویی مناسب به نیازهای اقلیمی، امنیت، کارکردی و احترام به اعتقادات دینی و فرهنگی موجب شکل‌گیری آرایه‌های درب‌های ابنیۀ مسکونی و تجاری ماسوله گردیده‌اند؛ هم‌چنین محلات قدیمی ماسوله دارای بیشترین درب‌های سنتی می‌باشند. نتایج پژوهش نشان‌دهندۀ آن است؛ مفاهیم دینی در درب‌های ابنیۀ مذهبی در غالب نقوش: اسلیمی، جانوری، خطاطی به‌صورت‌های درب‌های، منبت‌کاری، گره‌چینی و نقوش هندسی متجلی گردیده‌اند. درب‌های مسکونی برمبنای احترام به نیازهای کاربران، اعتقادات دینی، مذهبی مردمان ماسوله شکل‌گرفته‌اند. درب‌های ابنیۀ مسکونی در سه سطح: درب‌های فاقد طرح، طرح‌های هندسی و گره‌چینی دسته‌بندی می‌گردند. درب‌های ابنیۀ تجاری ماسوله به‌صورت‌های جمع‌شونده و گره‌چینی هستند. نیاز به ساختارهای منعطف، بازشوهای بزرگ از مهم‌ترین عوامل شکل‌گیری بازشوهای ابنیۀ تجاری ماسوله است. نتایج نشان‌دهندۀ آن است؛ محلات تاریخیِ مسجدبر، خانه‌بر و کشه‌سر دارای بیشترین درب‌های سنتی در ماسوله می‌باشند.

the identification and typology of traditional doors of the historical city of masouleh

considering the rich history of iran in the field of art and architecture, delightful doors with unique characteristics are found, each of which is derived from cultural, religious, and social interactions. typology, recognition, and reproduction of antecedent motifs and designs in traditional doors could revive cultural identity in contemporary cities. doors and windows are influential factors in shaping buildings in iranian architecture. having a thousand-year-old history with the presence of skilled blacksmiths and carpenters, masouleh has treasured beautiful gates being formed in various buildings at different parts of the town. the purpose of the research is to determine the typology and knowledge of the types of traditional doors in the historical town of masouleh. the research method is field and library studies. at first, 32 ancient doors in masouleh were selected for field studies. in the next step, library and interview methods were used to identify the components and designs of the doors. the research results show that the doors in masouleh are of three types: building, religious, residential and commercial. the doors of the religious buildings are classified into three levels: woodcarving, girih, tiles, and geometric motifs. the most important factors shaping the decorations of religious doors is the praise of god, which is presented in the form of islamic, animal, and calligraphy motifs. the doors of the residential buildings are classified into three levels: plain with no design, the ones with geometric design, and girih tiles. residential doors are formed based on a combination of the beautiful art of metalwork and woodwork, respect for the needs of the users, and the religious beliefs of the people of masouleh. the doors of commercial buildings in masouleh are in the form of collapsible and girih tile designs. the flexible structure of the collapsible doors of commercial buildings allows for maximum coverage of the openings and visibility of handicrafts. the results indicate that the neighborhoods of masjed-bar, khaneh-bar, and keshe-sar have the most classic traditional doors.keywords: masouleh, traditional doors, iranian-islamic arts, typology. introductiondoors and windows are influential factors in shaping buildings in iranian architecture. in the structure of the doors of traditional iranian buildings, the visual and emotional connection between the exterior and interior of the buildings is well observed in terms of cultural characteristics. based on the environmental and climatic conditions of each geographical region of iran, the created spaces have doors with numerous sizes, shapes, and variations from a functional perspective, based on which they have various names. entrances play an essential role in separating buildings from public space. in iranian architecture, doors are a symbol of entering into two different worlds; therefore, doors have semantic and physical sanctity in the beliefs of the iranian people. doors are manifestations of the religious beliefs of their inhabitants. with a thousand-year-old history and the presence of skilled blacksmiths and carpenters, masouleh has treasured beautiful gates that were made in various buildings in different parts of the city. unfortunately, due to the rapid pace of change at all levels of society and the existence of natural disasters and human disasters, it is feared that the traditional arts of masouleh, which have been formed in this historic city for centuries, will become endangered in the not-too-distant future. in fact, conducting such research can play an important role in the preservation and introduction of works of art in masouleh. the aim of the research is to find several types of traditional doors based on the frequency, function of buildings, differences and similarities of the decorative and functional structures of masouleh doors. achieving these goals is a step towards recognizing and properly protecting the monuments of the historic city of masouleh. accordingly, the research questions are as follows: are the traditional doors of masouleh classified into several categories? what are the effective factors in forming the designs and decorations of traditional masouleh doors? how is the redundancy of traditional masouleh doors among neighborhoods? what are the differences and similarities between the doors based on physical, functional and decorative terms? research method: in the first section of the research, 564 existing buildings in masouleh have been initially evaluated based on field studies, which include 445 residential buildings, 104 commercial buildings and 15 religious’ buildings. in the next step, information and pictures of 32 ancient doors of masouleh, which were more decorated and older than other doors, have been prepared. in the last step, the components of the doors, the function of the door components, and the types of doors are interpreted and presented based on descriptive-analytical studies, depending on the use