تجلی دیوان حافظ بر اشعار لورکا

موضوع مقاله حاضر تاثیر حافظ بر فدریکو گارسیا لورکا یکی از بزرگترین شعرای اسپانیایی است. این پژوهش ابتدا در گذر مختصری از معرفی این دو شاعر خواننده را با چارچوب فکری و سبک ادبی لورکا آشنا می‌سازد و چگونگی آشنایی او را با حافظ از طریق ترجمه‌هایی که از دیوان در اسپانیا انجام شده، نشان می ‌دهد. در بخش دیگری از مقاله برای اثبات تاثیرحافظ بر لورکا گفته هایی از خود شاعر و دوستان نزدیک او نقل قول می‌شوند؛ و در آخر با تطبیق نمونه‌هایی از اشعار این دو شاعر میزان تاثیر لورکا از حافظ مورد ارزیابی قرار می‌گیرد. تاثیر پذیری لورکا از حافظ نه تنها از طریق کاربرد مضامین، آرایه‌های ادبی و مهارت در بازی های فوق‌العاده ظریف و گاه ناپیدای با کلمات می باشد، بلکه همچنین این تاثیردرچارچوب فکری او نیز به چشم می‌خورد. بررسی این مقاله نشان می‌دهد این شاعر اسپانیایی برای خلق برخی از آثار خود بخصوص دیوان تاماریت از حافظ الهام گرفته، از عناصردیوان حافظ بهره جسته و به تقلید از اواشعار این کتاب را در قالب غزل و قصیده سروده وعنوان کتابش را دیوان نام نهاده است.

hafez’s influence on federico garcia lorca

introduction: the subject of this article is hafez’s influence on federicogarcia lorca, one of the greatest spanish poets. this research first introducesthe reader to lorca’s intellectual framework and literary style in briefby introducing these two poets and shows how he became acquainted withhafez through translations of divan in spain. in another part of the article,to prove lorca’s influence, quotes from the poet himself and his closefriends are mentioned; and finally, by comparing examples of the poemsof these two poets, the extent of lorca’s influence on hafez is evaluated.lorca’s influence on hafez is not only through the use of themes, literaryarrays, and skill in extraordinarily subtle and sometimes invisible wordgames, but it is also evident in his frame of mind. studies in this articleshow that the spanish poet was inspired by hafez to create his “divan oftamarit”, used the elements of “hafez’s divan” and named his book divanafter him.background studies :in the west, goethe’s interest and admiration forhafez prompted him to write his divan called “west-eastern divan” perhapsone of the ways in which garcia lorca became acquainted with hafezis through this source.although, the world got to know hafez’s poems after the seventeenth century,his poems arrived in spain later than in other european countries.there, too, through indirect translations, he had a significant impact onsome of the poets of spain.method and discussion: poetry as a literary genre is an aesthetic experienceand needs to be interpreted. persian poetry is known as rich literature that has rhythm and music. when dealing with classical poetry, the subjectbecomes more complex. hafiz’s work essentially represents music that isrelated to beauty, an aesthetic that seeks to move away from the ordinaryand requires great attention.in this article, through the influence of one of the greatest poets of spain,persian literature in spain is studied. many types of research have beendone on hafez and lorca’s poems so far, but yet no documents indicatelorca’s acquaintance with hafez.undoubtedly, lorca became acquainted with hafez through translations ofdivan made by some famous spanish writer or translator and thus was ableto discover common thoughts and feelings between hafez and himself; thatis why it is possible to compare the poems of this spanish poet with the poemsof hafez and look for commonalities in terms of themes and aesthetics.conclusion :by comparing some of lorca’s poems with hafez’s, we findthat some of the themes that hafez used in his poems have also infiltratedlorca’s poems and, willingly or unwillingly, have given an oriental moodto his poetry.by comparing lorca’s poems, especially the poems of poem of the deepsong and gypsy ballads with the poems of hafez’s divan, the same themesused in both works can be extracted; in the divan of these two eastern andwestern poets, where many difficult and difficult terms and meanings havebeen used, mysticism can be sought that to reveal and understand theseconcepts, one must first reach the deep thoughts of the poet. there are manymetaphors in their poems, in other words, these two poets have played withso many words that the phenomenon of language complexity can be felt in their poetry.