جمالیه تجلّی اللغه الشعریه فی روایه «شرف قاطع طریق» لحنّا مینه

انّ التبلیغ هو غرض اللغه دائما اذ انّ اللغه لیست الا وسیله نقل الفکر، الا انّ هناک نوعاً من اللغه یسمّی اللغه الشعریه او الادبیه التی لیست وظیفتها ایصال الرساله الی المتلقّی فحسب وانّما تحمل فی طیّاتها وظیفه اخری الا وهی التاثیر. یستخدم الادباء هذه اللغه فی اعمالهم الادبیه ویسعون الی الارتقاء بها من المستوی التبلیغی الی المستوی التاثیری ،وهذا ما یقودنا الی الکشف عن الآلیات التی یستخدمها الروائی السوری حنّا مینه للارتقاء بلغته الروائیه من اللغه العادیه الی اللغه الشعریه. لذلک اخترنا روایه من روایاته عنوانها شرف قاطع طریق والتی کتبها حنّا باسلوب ادبی ممتاز واستخدم عدداً من التقنیات اللغویه والبلاغیه لشعریه لغه روایته. بیّن البحث من خلال المنهج الوصفی التحلیلی، ان روایه شرف قاطع طریق، نص شعری یمتلک الکثیر من التقنیات الشعریه من التصویر الفنّی بما فی ذلک الکنایات والاستعارات المکنیه الی التصویر التناصّی منه التناص القرآنی، والشعری وتوظیف الامثال الشعبیه التی لها حضور مکثّف فی الروایه.

Studying levels of poetic language in the novel The reputation of a bandit by Hannā Mīnah

Delivering the message is the permanent goal of language, because language is just a means of transmitting thoughts, but there is a language called poetic language and its purpose is not only to convey the message to the audience, but also to be effective. Writers use this language in their literary works and they try to raise their language from the level of communication to the level of influence. This is what leads us to uncover the mechanisms that the Syrian novelist Hanna Mine uses to elevate his fictional language from ordinary language to poetic language. We chose a novel from his novels entitled reputation of a bandit , which Hanna wrote in an excellent literary style and he used some of the linguistic and rhetorical techniques to make poetic the language of his novel. The research showed, through the descriptiveanalytical method, that the novel reputation of a bandit is a poetic text that possesses many poetic techniques from artistic photography, including metonymy and metaphors, to intertextual depiction, including Quranic and poetry intertextuality, and the use of popular proverbs that have an intense presence in the novel.