l’énigmatique singularité de l’œuvre dans la peinture de mehdi sahabi. pour une sémiotique de l’ « effet de l’art ».

From a semiotic point of view, art is an effect of meaning; the effect of art, the artistic seizure, is an aesthetic, affective, cognitive event, present in any work of art. this effect results from a process that we can reconstruct artistization. we must therefore circumscribe an object (the work), which induces an effect (art), by expressing a process (artistization). the pictorial work is therefore not limited to images: it is a composite semiotic object, a hybrid composed of process, supports, materials, energies, and everything that gives it a social and cultural mode of existence.this is precisely the case with mehdi sahabi’s works; we cannot examine here the totality of what makes them works, and we will limit ourselves to the essential fact: a work, for sahabi, is always a series, it is his way of making a work of art. we will therefore examine in his pictorial series (1) the characteristic tensions of the “new figuration”, and the manifestations of an inter-pictorial practice; (2) transverse isotopies and allotopias of serial and multilinear expression; (3) the work of pictorial layers and actantial strata, and the experimentation of imaginary dynamics. the artistization process, either for production or interpretation, is that of intuition (impression > synthesis > anagogy > imagination).

l’énigmatique singularité de l’œuvre dans la peinture de mehdi sahabi. pour une sémiotique de l’ « effet de l’art ».

from a semiotic point of view, art is an effect of meaning; the effect of art, the artistic seizure, is an aesthetic, affective, cognitive event, present in any work of art. this effect results from a process that we can reconstruct artistization. we must therefore circumscribe an object (the work), which induces an effect (art), by expressing a process (artistization). the pictorial work is therefore not limited to images: it is a composite semiotic object, a hybrid composed of process, supports, materials, energies, and everything that gives it a social and cultural mode of existence.this is precisely the case with mehdi sahabi’s works; we cannot examine here the totality of what makes them works, and we will limit ourselves to the essential fact: a work, for sahabi, is always a series, it is his way of making a work of art. we will therefore examine in his pictorial series (1) the characteristic tensions of the “new figuration”, and the manifestations of an inter-pictorial practice; (2) transverse isotopies and allotopias of serial and multilinear expression; (3) the work of pictorial layers and actantial strata, and the experimentation of imaginary dynamics. the artistization process, either for production or interpretation, is that of intuition (impression > synthesis > anagogy > imagination).