sacred beads of pearl necklaces of sasanian kings based on their coins

The avesta and zoroastrian manuscripts, in pahlavi language, have been studied, interpreted and translated numerous times over the past century. the study of sacred numbers, only based on the above-mentioned texts, has also been a part of printed scholarly works. the reference to the indo-european background of the numbers can be seen frequently in past works.although in the background of this research, reference has been made to textual studies such as indo-iranian sources, but archaeological evidences have received less attention.this paper deals with a specific topic that is the sacred zoroastrian numbers and entanglement with sasanian coins. for this purpose, the author stresses on the number of pearls (beads) of the necklaces, headbands, hangings of the royal hat, and shoulder stripes based on the coins. the author will focus on the known sacred numbers such as 3, 5, 6, 7, 9, 10, 12, 14, 15, 16, 18, 21, 24…to prove the claim. also, the article draws a clear line between necklaces worn in the batllefield, on coins and in bas- reliefs (royal scenes). in addition, the presence or absence of the beads of the pearl stripes on the shoulders or chest have been suggested as gender sign as a key question of this article. this restudy will show a new part of religious aspects on the royal sasanian art.the author believes that the number of the pearls on the kings’ necklaces or headbands have followed a systematic structure from a single string to the two strings, from the rise to the fall of the empire. also, i will briefly refer to texts to support archaeological evidences