تجلیات اسلوب القصر بطریقه الخبر الْمُثبت بالالف واللام فی دیوان کُثیِّر عزَّه دراسه اسلوبیَّه بلاغیَّه دلالیَّه

یصنِّف علماء النحو والبلاغه طرق القصر فی اربعه اقسام هی: القصر بالنَّفیّ والاستثناء، والقصر ب (انَّما)، والقصر باستخدام حروف العطف: (بل لا لکن)، والقصر بتقدیم ما حقُّه التاخیر، وهناک نوع خامس لم یحظَ بالاهتمام الکافی یُسمَّى (القصر بالدَّلالات والقرائن فی الکلام) وفیه جوانب ثلاث هی: (القصر باضافه ضمیر الفصل) و(القصر بتعریف طرفی الاسناد) و(القصر بتقدیم ما حقُّه التاخیر). وقد تخیَّر هذا البحث القصر بتعریف طرفی الاسناد بطریقه الخبر الْمُثبت ب «ال»، لیسلِّط الضَّوء علیها، بدءاً ببیان طبیعه هذه الطریقه وکیفیتها، انتهاءً بدراستها دراسه بلاغیَّه اسلوبیَّه دلالیَّه فی دیوان کُثیِّر عزَّه. وقامت الدِّراسه البلاغیَّه على تقسیم حالات ورود القصر بتعریف طرفی الاسناد بطریقه الخبر الْمُثبت بالالف واللام، وفق مجیئها فی السِّیاقات الشِّعریه المتعدِّده، وتحلیلها وفق تفاعلها مع الغرض الشِّعریّ بشکل خاصٍّ، وتفاعلها مع سیاق النَّصّ کلِّه بشکلٍّ عام، ابتداءً باکثرها وروداً انتهاءً باقلها.

The Manifestation of the Restriction Style in the Method of Considering the Affirmative Alkhaber with Adding ALALEF WA LAM in the Collection of Poems of (Kossierazza) Rhetorical Stylish Referential Study

Linguists classify the restriction methods into four sections: Restriction using negative and exceptions, restriction using Inama, restriction using conjunctions Bal, La, Lakin, restriction by preceding what must be delayed. There is also a fifth section which doesn’t have enough interest. It is called (restriction by references and contexts throughout the speech). The latter has three branches which are (restriction by adding interrupting pronoun), (restriction by defining both sides of contributing) and (restriction by preceding what has to be delayed). This research has chosen the restriction by defining both sides of contributing the method of considering the affirmative Alkhaber with adding AlalefWaLam to highlight it. Initiating by explaining the nature and method of this method and ending by studying it rhetorical stylish referential study in the collection of poems kossierazza. This rhetorical study has divided the restriction’s cases in defining both sides of contributing in the method of considering the affirmative Alkhaber with adding AlalefWa Lam according to the multiple poetical contexts and analyzing it according to its interaction with the poetical purpose in a special way. And its interaction with the text’s context as a whole initiating by the most repeated restrictions and ending by the less repeated.