تاثیر نحله نقشبندیه بر تولید و تجارت منسوجات ابریشمی در دوره تیموری با تاکید بر شهر یزد

نقشبندیه به جای خرقه پوشی و دوری از جمع به کار و معیشت اهمیت داد و توانست با گسترش تجارت از طریق شاهراه ابریشم و نفوذ در طبقه حاکمیت نبض تجارت ماورالنهر را در دست گیرد ،هدف بررسی وضعیت نساجی دوره تیموری خاصه شهر یزد و شیوه عملکرد خواجگان نقشبندی در رسیدن به انحصار چرخه اقتصادی و انعکاس آن در دوره صفوی است بنابراین وضعیت کشاورزی و تجارت ابریشم در شهر یزد دوره تیموری چگونه بوده است؟ و نقشبندیان چه تاثیری در رونق تجارت منسوجات دوره تیموری به خصوص یزد داشتند؟ رویکرد تحقیق کیفی است. از نظر هدف بنیادی بوده و ماهیتی -تحلیلی تاریخی دارد شیوه جمع آوری اطلاعات اسنادی (کتابخانه ای) است. یافته ها نشان مید دهد توسعه تجارت رونق کسب و کار جذب پیشه وران و کشاورزان، توسعه صنعت نساجی ، ابریشم بافی و محصولات ابریشمی که از کالاهای استراتژیک بود در صدر فعالیتهای اقتصادی نقشبندیان قرار گرفت. حضور نقشبندیان در این تجارت پرسود و انحصار چرخه ،اقتصادی آنها را متوجه شهر یزد - خاستگاه ابریشم و پایگاه اصلی تولید مرغوبترین منسوجات ابریشمی کرد اگرچه با پایان حکومت تیموری، ارتباطات نحله نقشبندیه به دلیل پیوندهای ناگسستنی با دولت؛ کمرنگ شد اما میراث فکری و جریان هنری آنها در دوره صفوی انعکاس یافت و نمود آن را میتوان در آثار هنری دوره شاه عباس اول از جمله آثار غیاث الدین نقشبند، نقطه اوجی در هنر بافندگی یزد ملاحظه کرد.

the effect of naqshbandiyya school on the production and trade of silk textiles in the timurid period with emphasis on the city of yazd

naqshbandiyya, instead of being a sufi and away from the masses, paid attention to work and livelihood and was able to capture the pulse of transoxiana trade by expanding trade through the silk road and influencing the ruling class. the ultimate purpose of examining the textile situation of the timurid period, (specifically the city of yazd)and the practice of naqshbandi khajagans in achieving monopoly of the economic cycle and its reflection in the safavid period so what was the situation of agriculture and silk trade in the city of yazd during the timurid period? and what effect did the naqshbandis have on the prosperity of the timurid textile trade, especially in yazd? the qualitative research approach, in terms of purpose, is applied and descriptive and analytical in nature. the method of collecting information is library and documentary.findings show that trade development, business prosperity, attracting craftsmen and farmers, development of textile industry, silk weaving and silk products which were strategic goods were at the forefront of naqshbandian economic activities. the presence of naqshbandians in this lucrative trade and the monopoly of the economic cycle made them aware of the city of yazd, the origin of silk and the main base for the production of the finest silk textiles. however, with the demise of the timurid dynasty, the naqshbandiyya dynasty faded due to inseparable ties with the government; however, their intellectual heritage and artistic current were reflected in the safavid period and its manifestation can be seen in the works of art of shah abbas i period, including the works of ghiasuddin naghshband, the culmination of yazd’s weaving art.naqshbandiyya, instead of being a sufi and away from the masses, paid attention to work and livelihood and was able to capture the pulse of transoxiana trade by expanding trade through the silk road and influencing the ruling class. the ultimate purpose of examining the textile situation of the timurid period, (specifically the city of yazd)and the practice of naqshbandi khajagans in achieving monopoly of the economic cycle and its reflection in the safavid period so what was the situation of agriculture and silk trade in the city of yazd during the timurid period?findings show that trade development, business prosperity, attracting craftsmen and farmers, development of textile industry, silk weaving and silk products which were strategic goods were at the forefront of naqshbandian economic activities. the presence of naqshbandians in this lucrative trade and the monopoly of the economic cycle made them aware of the city of yazd, the origin of silk and the main base for the production of the finest silk textiles. however, with the demise of the timurid dynasty, the naqshbandiyya dynasty faded due to inseparable ties with the government; however, their intellectual heritage and artistic current were reflected in the safavid period and its manifestation can be seen in the works of art of shah abbas i period, including the works of ghiasuddin naghshband, the culmination of yazd’s weaving art.