اسقاطات الآخر فی روایه «شوق الدرویش»؛ دراسه علی ضوء دینامیات الهویه والاختلاف

انّ القوى الاستعماریه قامت بتعریف، وتحدید، وسرد ماهیه الدول المستعمره ای «الآخر»، وفقاً لمنظومتها المعرفیه وخدمهً لاهدافها الاستعماریه. وجاءت روایه «شوق الدرویش» لتسرد کیف قام المستعمر لیکون هو المانح الاخیر للمعانی والمقاصد والشرعیات، ونتج عن ذلک تزییف المسار التاریخی للجماعات الاصلیه. جاءت الروایه ملیئه بالرموز الدینیه التی تلائم الخلفیّه التاریخیه للاحداث، تصارع بین الاتجاه الاسلامی المهدوی والاتجاه المسیحی الارثوذکسی فی السودان. نهدف فی هذا البحث وبمنهج وصفی _ تحلیلی، الی التعرف علی کیفیه تقدیم الروایه قراءه متبصره لجزء من تاریخ الثوره المهدیه الذی یُقلب من خلالها موازین الهیمنه المرکزیه لصالح الواقع وذلک فی ظلّ المحاولات الاستعماریه التی رمیت الشعوب الآصلیه خامله لا یشار الیها الّا بوصفها فئات یجب ان تمحی ثقافاتها. فجری تمثیل احوال الدول المستعمره بصور بدائیه غامضه، لیقع فصلها عن ثقافتها فتتوهم بانّ القطیعه معها ستقودها الی الحداثه. فتصف هذه الروایه کیف عاش الشرق هاجس القلق والهشاشه والحیره اتجاه مرجعیاته، حیث لم یکن امامه سوی اتباع الآخر الغربی، خاصه فی الشخصیه الرئیسیه «بخیت مندیل» اذ وجد نفسه  فی اطُر محدده لا یسمح له بالاندماج العالمی ولا یقبل له بتطویر هویته الخاصه. من ضمن الآلیات التی جاءت بها الروایه لتقدیم هذه الصوره هی تمثیل التعالق الدینی – التاریخی فی زاویه هامه، ذلک لانه یوصف التاریخ کماده منتهیه ثابته، لا یجوز المساس بها، لکن الروایه باعتبارها نص مبنی  علی التخییل جعلت التاریخ  محل التشکیک فجاءت  بظلال الشک على التاریخ الذی روی «الثوره المهدیه» بانها حرکه دامیه تخریبیه

drop of the other in the novel “shawq al-darwish”; a study in light of the dynamism of identity and difference

the colonial powers defined, defined, and narrated the nature of the colonial countries, that is, “the other,” according to their cognitive system and in service of their colonial goals. the novel shouq al-darwish narrates how the colonizer rose to be the final giver of meanings, purposes, and legitimacy, and this resulted in falsifying the historical path of the indigenous groups. the novel was full of religious symbols that fit the historical background of the events, a struggle between the islamic mahdist trend and the orthodox christian trend in sudan. in this research, we aim, with a descriptive-analytical approach, to identify how the novel provides an insightful reading of part of the history of the mahdist revolution, through which the balance of central hegemony is tipped in favor of reality, in light of the colonial attempts that rendered the indigenous peoples inert and referred to only as categories that must be erased. its cultures. the conditions of the colonial countries were represented in vague, primitive images, separating them from their culture and making them imagine that breaking with it would lead them to modernity. this novel describes how the east lived under the preoccupation of anxiety, fragility, and confusion regarding its authorities, as it had no choice but to follow the western other, especially in the main character, “bakhit mendil,” as he found himself in specific frameworks that did not allow him global integration and did not allow him to develop his own identity. among the mechanisms that the novel came up with to present this image is to represent the religious-historical interrelationship from an important angle. this is because history is described as a final, fixed substance that cannot be touched upon. however, the novel, as a text based on imagination, made history the subject of questioning and cast a shadow of doubt on the history that the mahdist revolution was described as a bloody and subversive movement