جدلیة الانا و الآخر فی اشعار عزالدین المناصرة المقاومة

ان من ابرز تجلیات الانا فی مظهریتها الذاتیة هو تجلیها من خلال النظر الی (الآخر) بوصفه مقابلا حیویا منتجا، و ان النظرة الی (الآخر) حضاریا و ثقافیا تعتمد بالدرجة الاولی علی طبیعة الانا الناظرة و مشکلاتها مع (الآخر) و نظرة مجتمعها الیة، فاذن یتجلی (الآخر) فی مرآة الانا، استنادا الی طبیعة العلاقة التی یولفها جدل التفاعل او الحوار او الصدام بینهما، و هذه العلاقه تحرض الانا علی الاظهار بالوجود و التعبیر عن نفسه. تمثّل اشعار عزالدین المناصره مجالا واسعا لدراسه الانا و (الآخر) و الجدلیة و العلاقه بینهما، حیث طرد الشاعر من وطنه و عاش فترة زمنیة فی بلد (الآخر)، فهو یصف (الآخر) بانواعه المختلفة فی اشعاره و من خلال تصویره للآخر تتجلی ذات الشاعر. لقد درس هذا البحث صور الانا و (الآخر) بجمیع انواعهما عن طریق استقراء اشعار المناصرة المقاومة معتمدا علی مبادئ الصورولوجیا و دراسة انواع صور الانا و (الآخر) فیةا. توکد النتائج ان الانا للشاعر تتجلی تجلیا واضحا و مقصودا فی اشعاره لاسیما المقاومه منها بکل انواعها المختلفه، ای الانا الفردیة و الجماعیة و الانسانیة، و یصور المناصرة (الآخر) بنوعیة: الاجنبی المخالف و المضاد له و غیر الاجنبی من ابناء وطنه الذی لا یشارکه همومه، لکن (الآخر) فی اغلب الاحوال لا یظهر بصورة تشکیلیة مستقلة فی قصائده علی نحو یمکن تشخیصه و محاورته.

Dialectic Between the Self and the Other in Ezzeddin alManasserah’s Resistance Poems

Abstract One of the most prominent features of the self, regarding the innate dimension and identity, is manifested through the negotiation and encounter with the other as an effective and opposing element. Cultural and civilized encounter and relationship with the other, firstly depend on the nature of the self, its problems with the other, and on the problems of the society in which it lives. Therefore, the other is reflected and manifested through establishing communication with the self. This communication might be demonstrated in various forms, for instance, a positive and friendly interaction, negotiation and dialogue, or dialectic. Whatever this communication is, it results in leading the self to the manifestation and interpretation of itself.  The poems of Ezzeddin alManªsserah are the vast realm of the manifestation and emergence of the self and the other and the interaction and dialectic between them. The reason for this feature of his poems is that he is rejected by his country at a young age and lived in another country for a long time where he had close relationship and interaction with the other and has portrayed various types of the other in his works. In this study, after reading Ezzeddin alManªsserah’s poems in the area of resistance literature and through emphasizing on imageological concepts and applying descriptiveanalytical method, the image of the self and the other in alManªsserah’s works were investigated. The results demonstrated that Ezzeddin alManªsserah has depicted the self in three different types, including individual, group, and human, in most of his resistance poems. Particularly, the individual type of the self is manifested more than the other types in his poems. Moreover, he has portrayed the other in two types, namely the stranger and opponent other and the fellow other which is merely in disagreement with the self about beliefs. However, it is important to note that the other has not been depicted vividly and independently in his poems and cannot be addressed.