تحلیل موضوعی و روش‌شناسی پایان‌نامه‌های کارشناسی ارشد رشته نوازندگی ساز جهانی در دانشگاه‌های دولتی ایران از سال 1388 تا 1398

پژوهش حاضر به بررسی موضوعی و روش‌شناسی پایان‌نامه‌های نظری مقطع کارشناسی ارشد رشته‌ نوازندگی ساز جهانی در دو مرکز دانشگاهی دولتی ایران، شامل دانشکده موسیقی دانشگاه هنر و گروه موسیقی پردیس هنرهای زیبای دانشگاه تهران در بازۀ زمانی ده‌ساله (1388 تا 1398) پرداخته که مجموعاً شامل یکصد و بیست و شش پایان‌نامه است. طبقه‌بندی موضوعی و بررسی روش‌های استفاده شده در پایان‌نامه‌ها به منظور تبیین دستاوردها در حوزه‌های پژوهشی مورد نظر در مراکز دانشگاهی ایران، و هموار ساختن زمینۀ مطالعه و انتخاب موضوعات پژوهش‌های آتی از اهداف اصلی مقالۀ حاضر بوده است. تحقیقات مشابهی به‌ویژه، در حوزه‌ علوم انسانی انجام شده است، اما در زمینۀ موسیقی چنین پژوهشی تازگی دارد. در این تحقیق با بهره‌گیری از روش کتابخانه‌ای اطلاعات مورد نیاز گردآوری و سپس با روش توصیفی– تحلیلی، پایان‌نامه‌ها به لحاظ موضوعی در پنج گروه اصلی تقسیم‌بندی گردیده‌اند. افزون‌بر تحلیل موضوعیِ مبتنی بر متن پایان‌نامه‌ها، چکیده و کلیدواژه‌ها نیز مورد تحلیل قرارگرفته‌اند. بررسی‌ها نشان داد که موضوعاتی نظیر «آموزش موسیقی سازی»، «تجزیه و تحلیل آثار» و «تفسیر و اجرای موسیقی» بیشترین پژوهش‌ها را به خود اختصاص داده و تعداد کمی از پایان‌نامه‌ها در زمینه‌هایی نظیر «اضطراب اجرا»، «آسیب‌های نوازندگی» و «طراحی، برنامه‌ریزی و آمادگی برای اجرا» نوشته شده‌اند.

Music Theses Topics and Methodologies by Graduate Students of Classical Music Performance in Iran’s Governmental Universities from 2009-2019

Graduate students’ theses have always been a valuable reference source for studies conducted in scientific and academic circles. The current study reviews the topics under study in 126 graduate theses of students studying performance of western classical music instruments in two staterun universities in Iran, namely the Faculty of Music at University of Art; and the Department of Music, Faculty of Fine Arts at University of Tehran in a time span of ten years covering the 20092019 period. This study aims to analyze the following topics: 1The classification of thesis titles and subjects, 2 Topics from the most popular topics to those that were the least addressed, 3Types of research methods adopted, and 4 Most frequentlyused key words.Amongst the chief goals of the current study was a thematic study of areas addressed in the theses in order to evaluate the research findings therein and pave the way for further studies. Although this study is new in the field of music theses, similar studies with the focus on topics and methodologies in academic theses in other majors, often included fields of humanities, art research and various technical and engineering fields have formerly been carried out in Iran’s universities. The methodology employed in this paper is a library based study to collect information through a descriptiveanalytical method and the theses under study were ultimately grouped under five major categories: Music Performance, Music Education, Musical Instruments (performance and technical skills), Musicology, and others. In addition to the thematic analysis of the theses, the abstracts and keywords of the theses were also studied.The study showed that the majority of the theses under study were those which conducted a formal or harmonic analysis of repertoire pieces in the practical part of the graduation project of the student in question, second to this, came theses which addressed Musical Instruments Training, Music Interpretations and Performance.It is noteworthy that the majority of the theses which dealt with Music Analysis were those completed prior to the year 2011, which reflects a change in the outlook of universities to music research. It is also interesting to note that the topics pertaining to Music Education, Pedagogy, Practical Tips on Practicing pieces, became more prevalent in the more recent theses. Conversely, few theses tackled issues such as Stage Anxiety, Practice harms and physical injuries related to playing an instrument, Performance Planning and Preparations, or Historical Studies in Music or in the development of a certain musical instrument, etc. Taking into consideration the importance of such lessaddressed topics in the field of performance, it would be advisable to carry out more studies and research in such fields.The most frequentlyused keywords in the theses under study were: Performance, Sonata, Technique, Education, Johann Sebastian Bach, Concerto, Piano, Baroque, Violin, and Pedal. There have been instances of keywords which appeared only once in the theses, words such as Anxiety (Stage fright), Physical Practice Harms, Breathing, Intonation (sound production). The methodology adopted in the theses according to frequency from most to least employed come into the following order: descriptive, descriptive analytical, experimental.