بازنمود جلوه های اساطیری پری در سینما براساس نظریه زبرمتنیت (بررسی موردی: مجموعه تلویزیونی آب پریا)

«آب پریا» سریالی است بر پایه مضامین اساطیری و افسانه‌ای که با تکیه بر نقش «پری» و تعامل آن با «انسان»، وضعیت نامناسب طبیعت ایران را می‌کاود. در این پژوهش به بررسی تحولاتی پرداخته‌ایم که در روند تبدیل پدیدۀ اسطوره‌ای پری به تصویری سینمایی و در نتیجه تغییر خویشکاری‌های آن رخ می‌دهد. برای نیل به این هدف از نظریۀ زبرمتنیت ژنت بهره برده‌ایم و تراگونگی‌ها (سبکی و مضمونی)، تقلیل‌ها و تشدیدهای زیرمتن (اساطیر و افسانه‌های مرتبط با پریان) را نسبت به زبرمتن (تصویر پریان در سریال) سنجیده‌ایم. با این هدف، فیلمنامۀ سریال با بهره‌گیری از منابع کتابخانه‌ای و با روش توصیفی تحلیلی بررسی شده است. در نهایت، روشن شد که مهم‌ترین شخصیت این سریال، آب پری، همچنان نمودی اساطیری و سه پری دیگر بیشتر نمودی افسانه‌ای یافته‌اند. تراگونگی سبکی تحت تاثیر تغییر رسانه یا مدیا بوده است؛ اما تراگونگی مضمونی بیشتر در راستای تحول شخصیت پری و تعامل او با انسان رخ داده‌است. تقلیل‌ها در زمینۀ اساطیر آفرینش و نزول درجه ایزدان و امشاسپندان بوده است که در قالب پریان نمودار می‌گردند؛ اما تشدید‌ها بیشتر در راستای هدف سریال (تاکید بر اهمیت حفظ محیط زیست و به‌ویژه آب) و با افزودن شخصیت‌های مرتبط با طبیعت انجام شده است.

The Representation of Mythical Aspects of Fairy in Cinema Based on HypertextualiteTheory: A Case Study of AbPariya TV Series

AbPariya is a serial based on mythological and legendary themes that explores the inappropriate state of nature of Iran by relying on the role of fairy and its interaction with human. The cinematic representation of such themes entails fundamental changes in the characters, mythical space and time. In this study, we examine the evolution of the process of transforming mythical phenomena of fairy into cinematic imagery that results from a change in kinship. The present study adopts using the mythical critique and the intersemiotic approach and Jenetteey’s hypertextualite theory to examine the mythical aspects of fairy and how it developments and analyze the similarities and differences of the definitions of fairy in literature Persian, Myth and legend With its definitions in the Current and modern world as well as in the cinema and AbPariya series. hypertextualite is a type of Gerard Genette’s Transtextualite Genette used the concept in order to expand on the Intertextualite theory. The term Intertextualite was coined by Julia Kristeva. Kristeva first applied the term in her studies on Mikhail Bakhtin. In those studies, she set to investigate the relationship between two texts. According to Intertextualite theory, a text may be influenced by some previously written texts by other authors. Hypertextualite includes “trigonomy” which refers to the possible differences between present text and previously written texts and “homogeneity” which refers to the similarities between present text and previously written texts and in some cases its imitation from the previous text. In order to conduct the present study AbPariya TV series is implemented. Findings of the study are analyzed through using descriptiveanalytical methods. The study utilizes the library and electronic resources as well in order to analyze the collected data. After careful analysis, it became clear that the most significant myth that was depicted in this TV series is myth of water. In the TV series, AbPary undertakes the duty of water protection. In mythology, this character is equal to Goddess of water (Anahita) and (Amshaspand) Khordad. Among other Pary character in this series are SabzPary and AbrPary. Sabz_Pary is symbol of Amshaspandan such as Sepandarmaz and Amordad. AbrPary is symbol of Tishtar. In addition, BarfPary is another Pary character that appears in this series. She is symbol of NaneSarma who is a legendary character as well. Stylistic Translate of has been influenced by media change, but more Thematic Translate has occurred in the evolution of Perry’s personality and his interaction with man. The reductions have been in the myths of creation and in the degree of divinity of the gods and Amish Spas, which are plotted in fairy , but the Resonances are more in line with the serial goal (emphasizing the importance of preserving the environment and especially water) and adding Nature related characters accomplished. The function of mythology has also been modified. This change is clear in cases such as change of religious function to nonreligious, change in function of time and place, change in function of Pary.