مقاربه اسلوبیه لرائیه ابن العرندس الحلی من منظور البنیویه النقدیه

الاسلوبیة منهج یرکز علی العناصر الاساسیة والداخلیة للعمل الفنی من اجل الکشف عن معاییر الاختراع والابتکار فیه. ان البحث عن اسلوب العملالادبی طریقة لفهم الآراء والرویة الکونیة والثراء الادبی لذاک العمل، حیث یعبر عن کیفیة تفاعل الکاتب مع الامکانات اللغویة التی تظهر علیمستویات مختلفة. فی المجال ذاته، ان الشیخ صالح بن عبد الو هاب، الشهیر بابن العرندس، احد اعیان الشیعة ومن علمائهم فی الفقه والاصولوالمنطق، له مدائح ومراث فریدة لاهل البیت ولا سیما الامام الحسین ، تنم عن تفانیه فی ولائهم ومناوئته لاعدائهم. ومن اشهر قصائدهفی هذا المجال، رائیته الشهیرة ( 501 بیتا) التی اشتهر انها ما قرات فی حفل الا وحضره الامام الزمان یبکی مع الباکین، علی مصاب ج دهالحسین(ع). فی هذا المقال، تتم مراجعة هذه الرائیة علی المستویات الفکریة والصوتیة والنحویة والدلالیة، وفقا للمنهج الاسلوبی الذی یرکزعلی دراسة النص الادبی، معتمدا علی التفسیر والتحلیل. تشیر نتائج هذا البحث الی ان ظاهرة الجناس من اجمل آلیات الموسیقی والمحسناتاللفظیة التی اسرف فیها الشاعر جدا، حیث تمخضت عنها سمات اسلوبیة ودلالیة رائعة. سیطرت الجمل الاسمیة الخبریة السردیة علی معظم ابیاتالقصیدة کظاهرة اسلوبیة لافتة للنظر؛ واما علی المستوى الادبی، فلقد صور الشاعر بعض الجمادات تبکی علی الحسین، وتذرف الدموع وتتحرکحتی کانه وضعها امامنا کجسم حی تنبعث فیه موجات متدفقة من الحراک والدینامیکیة

A Stylistic Approach to the Alraaeiya of Ibn alArandas alHeli

Semiotics is one of the new critical approaches whose task is to study the sign system of the text or discourse and the anatomy of the text and discourse at the level of symbols and signs. In fact, it is a critical attempt delving into the textual abyss to reach the textual truth, which is the meaning and the textual embodiment after overcoming the apparent sign of the text or discourse. This study aims to investigate the poem ‘A Bird Accepted a Massacre’ by Ali Jaafar AlAlaq, from the Diwan of Sayyid AlWahshetin (2006). The analysis is done using Issam’s integrated theory for reaching full awareness of this poem by relying on the semiotic method and in the various subaxes. This poem overflows with signs, symbols, and semiotic characteristics, from the title to the last word. Ali Jaafar AlAlaq, besides employing civilization and civilizational and cultural references and data in his poetry is very keen on linguistic selection and employing the vocabulary in his poetry stemming from awareness and knowledge of the function of language and vocabulary.In fact, the poet establishes the relations and bonds between his poetic text and between the recipient and the poem. It enjoys a delicate poetic awareness and has many semiotic energies from the title as the richness of the text to the text. The poet in this poem is very keen on poetic expression of the predicament and abysmal Iraqi reality as a result of the brutal aggression. What draws attention, as revealed by the semiotic act, is the semantic relationship between the title and the poetic text in the relationship, as we notice in the poem. This title with semantic charge and abundant semiotic energies, which is a shorthand for the connotations inherent in the text and semiotic awareness, reveals that the poet, by formulating this title, expresses the states of labor, the exit from the whirlpool and the massacre, the moment of joy and openness, and the perpetuation of life in the land of Iraq after defeating the factors of occupation and siege. The conclusions in this poem with the semiotic property and the organizational structure of the sentences and the textual structures of this poem serve the purposes of the text and enhance the connotations emanating from the symbols and connotations.When studying the global structure of the poetic text, we see the three sides at the level of textual factors between the sender, the assistant, and the opposition. The rhetorical groupings consisting of various words and signs associated with the textual representatives and the semantic field associated with death and life through the exploitation of suggestive words and according to the semiotic square of Grimas were observed. The results of the study also showed the relationship based on the formation of the negative level and the negative state of the land as a result of war and aggression.