تاریخ تاسیس سینماهای شیراز در دورۀ پهلوی

صنعت نوپای سینما در ایران در دوران پهلوی به‌عنوان یکی از مهم‌ترین مظاهر فرهنگی مدرن مورد توجه ویژه قرار گرفت. سینما بهره‌وری اقتصادی مطلوبی نیز داشت و این موضوع موجب تاسیس و گسترش سالن‌های نمایش عمومی فیلم در شهرهای بزرگ ایران من‌جمله شیراز شد. بر این اساس، در این مقاله سابقهٔ تاسیس و تحولات تاریخی سینماهای شیراز، به‌انضمام مشخصات کلی و شیوۀ فعالیت آنها، در دوران پهلوی، با استناد به اسناد و مکاتبات معتبر بررسی خواهد شد.یافته‌های این پژوهش نشان می‌دهد که طی سال‌های 1308-1348 لااقل سیزده سالن سینمای مستقل در شیراز تاسیس شده است، که رشد اصلی آنها مربوط به دو دهۀ پایانی می‌شود. این سینماها اعم از سینما پارس، تاج، رکس، ایران، مترو، دنیا، سینما تئاتر شیراز، سعدی، پاسارگاد، پرسپولیس، کاپری، پارامونت و آریانا بوده است. البته اکثر این سالن‌ها، به علل مختلفی، مانند تغییر مالکیت یا نوسازی و افتتاح مجدد، چندین مرتبه تغییر نام پیدا کرده‌اند.با توجه به مکان تجمع، حرفه و موقعیت اجتماعی مالکان، و نوع فعالیت و تحولات سینماهای شیراز در دورهٔ پهلوی به نظر می‌رسد کسب منافع اقتصادی در تاسیس و مدیریت این سینماها بر جنبه‌های فرهنگی و هنری رجحان داشته است. با این حال، از دههٔ چهل شمسی با برگزاری جشنواره‌های بین‌المللی فیلم و فستیوال‌های هنری در شیراز بر کارکرد فرهنگی سینماها افزوده شده است. 

history of shiraz cinemas in pahlavi era

the recently-founded industry of cinema in iran during pahlavi era was one of the most important modern cultural manifestations. cinema has also had optimum economic efficiency and this matter caused public film saloons to be established and developed in major cities of iran, including shiraz. accordingly, in this paper records of the establishment and historical evolution of shiraz cinemas, besides general particulars and methods of their activities during pahlavi era have been studied through valuable documents.findings of this research show that during 1929-69, at least thirteen independent cinemas were established in shiraz, and their main growth was in the last two decades. pars, tāj, rex, irān, metro, donyā, shirāz cinema-theatre, sa’di, pāsārgād, persepolis, cāpri, paramount and āriānā were some of these cinemas. it should be noted that some of these names have changed due to different factors such as change in ownership, renovation, or reestablishment for several times.the majority of cinemas in the aforementioned era were constructed by two or more commercial partners. in some cases this subject has caused disagreement and discrepancy between the mangers and theaters owners; even some of them owned several cinemas at the same time. trading of the cinema establishment license was also prevalent. by changing the ownership of theaters, the names of them were changed as well. the procedure of changing the name was also often true in case where cinemas were reconstructed. it seems that this procedure was a trick to achieve a business boom.most of the cinemas in shiraz were constructed along the zand boulevard. this new place was considered a home to most important commercial institutions as well. after a while, three cinemas were established in qasr-e dasht street (located in the west region of shiraz) which was the outcome of social and economic development of the city in that region. almost all cinema owners were among businessmen and this shows the economic hegemony of cinema industry in the pahlavi era. nevertheless, establishing new cinemas and growth in the quality of cinema projectors and the interior space gradually provided the essential infrastructures to hold international film festivals in shiraz. shiraz arts festival was a turning point in this regard which gathered various audiences in cinemas.