السرد الموسیقی ومکوناته الاساسیة فی روایة المصائر لربعی المدهون

اﺗﺴﻊ ﺗﺪاﺧﻞ اﻟﺮواﯾﺔ اﻟﺠﺪﯾﺪة واﻟﻔﻨﻮن اﻟﺒَﺼَ ﺮﯾﺔ واﻟﺴﻤﻌﯿﺔ وﺗﻤﺖ اﺳﺘﻌﺎرة ﺗﻘﻨﯿﺎت ﺳﺎﺋﺮ اﻟﻔﻨﻮن واﻹﻧﺠﺎزات اﻟﺜﻔﺎﻓﯿﺔ ﻓﻲ اﻟﺮواﯾﺔ، ﺣﺘﯽ ﻧﺠﺪ ﻓﻲ اﻵوﻧﺔ اﻷﺧﯿﺮة ﺗﻮﻇﯿﻒ اﻟﻤﻮﺳﯿﻘﯽ وﺗﻘﻨﯿﺎﺗﻬﺎ وآﻻﺗﻬﺎ واﻧﻮاﻋﻬﺎ ﻓﻲ اﻟﺮواﯾﺔ اﻟﻌﺮﺑﯿﺔ اﻟﺠﺪﯾﺪة ﺑﺼﻮرة ﻣﺒﺎﺷﺮة وﻓﻨﯿﺔ ﻋﻠﯽ اﺻﻌﺪة ﻣﺘﻌﺪدة. ﯾﺒﺪو ﺗﻮﻇﯿﻒ اﻟﻤﻮﺳﯿﻘﯽ ﻓﻲ اﻟﺮواﯾﺔ ﻣﺴﺘﺤﯿﻼً او ﺻﻌﺒﺎً ﻟﻠﻐﺎﯾﺔ ﻷن اﻟﻌﻼﻗﺔ ﺑﯿﻨﻬﻤﺎ ﻏﺎﻣﻀﺔ ﻓﻲ اﻟﻨﺺ اﻟﺮواﺋﻲ وﻧﺤﻦ ﻻﻧﺸﻌﺮ ﺑﻮﺟﻮدﻫﺎ ﺑﺴﻬﻮﻟﺔ ﺧﻼف اﻟﺸﻌﺮ اﻟﺬی ﯾﻘﻮم ﻋﻠﯽ اﻟﻨﺒﺮة اﻹﯾﻘﺎﻋﯿﺔ اﻟﻤﮑﺜﻔﺔ. ﻟﮑﻦ ﺗﻢ اﺳﺘﺨﺪام اﻟﻤﻮﺳﯿﻘﯽ ﻓﻲ اﻟﺮواﯾﺔ اﻟﺠﺪﯾﺪة واﺗﺴﻌﺖ داﺋﺮﺗﻬﺎ ﺧﻼل ﻃﺮﯾﻘﺘﯿﻦ: اﻟﻤﺒﺎﺷﺮة وﻏﯿﺮ اﻟﻤﺒﺎﺷﺮة . ﻧﻼﺣﻆ ﺗﻮﻇﯿﻒ اﻟﻤﻮﺳﯿﻘﯽ ﻓﻲ اﻟﺮواﯾﺔ اﻟﺘﻘﻠﯿﺪﯾﺔ ﺑﺼﻮرة ﻏﯿﺮ ﻣﺒﺎﺷﺮة، ﻟﮑﻦ ﻧﺠﺪ اﻵن اﺳﺘﺨﺪاﻣﻬﺎ ﻓﻲ اﻟﺮواﯾﺔ اﻟﺠﺪﯾﺪة ﺑﺎﻟﻮﺿﻮح ﻓﻲ اﻃﺎر ﻧﻮع ﻣﻦ اﻧﻮاع اﻟﻤﻮﺳﯿﻘﯽ ﮐﺎﻟﺴﻤﻔﻮﻧﻲ واﻷﺑﺮا واﻟﺒﺎخ واﻟﺦ. ﻧﻈﺮاً اﻟﯽ اﻫﻤﯿﺔ ﻫﺬه اﻷﺳﺎﻟﯿﺐ ﻓﻲ اﻟﺮواﯾﺔ اﻟﺠﺪﯾﺪة وﻣﺴﺎﻫﻤﺘﻬﺎ ﻓﻲ ﺣﯿﻮﯾﺔ اﻟﻠﻐﺔ اﻟﺮواﺋﯿﺔ وﺗﻮﻇﯿﻔﻬﺎ ﻋﻠﯽ ﻧﻄﺎق واﺳﻊ، ﯾﻨﺒﻐﻲ ان ﻧﺤﻠﻞ ﻫﺬه اﻷﻧﺴﺎق اﻟﺘﻲ ﯾﻌﺘﻤﺪ ﻋﻠﯿﻬﺎ اﻟﺮواﺋﻲ ﻟﻠﺘﻌ ّﺮف اﻟﺸﺎﻣﻞ ﻋﻠﯽ اﻟﻤﮑﺘﺴﺒﺎت اﻟﺮواﺋﯿﺔ اﻟﺠﺪﯾﺪة. ﻫﺬا اﻟﺒﺤﺚ ﯾﺘﺨﺬ رواﯾﺔ اﻟﻤﺼﺎﺋﺮ ﻟرﺑﻌﻲ اﻟﻤﺪﻫﻮن ﻟﺪراﺳﺔ ﻣﺆﺷﺮات اﻟﻤﻮﺳﯿﻘﯽ اﻟﺴﺮدﯾﺔ وﻣﻮاﺻﻔﺎﺗﻪ ﻣﻌﺘﻤﺪاً ﻋﻠﯽ اﻟﻤﻨﻬﺞ اﻟﻮﺻﻔﻲ - اﻟﺘﺤﻠﯿﻠﻲ،ﮐﻤﺎ ﯾﺤﻠﻞ اﻟﺠﻤﺎﻟﯿﺎت واﻟﻨﻮاﯾﺎ اﻟﺘﻲ ﯾﺘﺮﺻﺪﻫﺎ اﻟﺮواﺋﻲ ﻋﺒﺮ ﺗﻮﻇﯿﻒ ﻫﺬا اﻟﻨﺴﻖ اﻟﺴﺮدی اﻟﺠﺪﯾﺪ. ﺧﻠﺼﺖ اﻟﻨﺘﯿﺠﺔ ان اﻟﻤﺪﻫﻮن ﻗﺎم ﺑﺘﻮﻇﯿﻒ ﻣﺆﺷﺮات اﻟﺴﺮد اﻟﻤﻮﺳﯿﻘﻲ وﺗﻤﻬﯿﺪ ارﺿﯿﺎﺗﻪ ﻓﻲ رواﯾﺘﻪ ﻋﺒﺮ اﺳﺘﺨﺪام ﻣﺆﺷﺮات ﻫﺬا اﻟﻨﻤﻂ اﻟﺴﺮدی وﺗﻘﻨﯿﺎﺗﻪ. ﻗﺪ ﺗﻀﺎﻓﺮت ﻓﻲ ﻫﺬا اﻟﻨﺺ اﻟﺤﮑﺎﺋﻲ اﻫﻢ آﻟﯿﺎت اﻟﺴﺮد اﻟﻤﻮﺳﯿﻘﻲ ﺣﯿﺚ ﺟﻌﻠﻪ اﻟﺮواﺋﻲ ﻣﺒﻨﯽ ﻟﻠﺴﺮد ﻓﻲ اﻟﺮواﯾﺔ. اﻣﺎ اﻹﻃﺎر اﻟﻤﺨﺘﺎر اﻟﻤﻮﺳﯿﻘﻲ ﻓﻲ اﻟﺮواﯾﺔ اﻟﮑﻮﻧﺸﺮﺗﻮ ﻣﻊ ﺣﺮﮐﺎﺗﻬﺎ اﻷرﺑﻌﺔ. اﺿﺎﻓﺔ ﻋﻠﯽ ذﻟﻚ اﻫﺘﻢ اﻟﻤﺪﻫﻮن ﺑﺎﻹﯾﻘﺎﻋﯿﺔ ﻓﻲ ﻧﻘﻞ اﻟﺜﯿﻤﺎت واﻷﻓﻀﯿﺔ ﯾﻀﯿﻒ ﺑﻌﺾ اﻷﻧﺎﺷﯿﺪ واﻷﻏﺎﻧﻲ اﻟﺘﻲ ﺗﻼﺋﻢ اﻟﻤﻀﻤﻮن اﻟﺴﺮدی ﻓﻲ اﻟﺮواﯾﺔ؛ ﮐﺬﻟﻚ ﺗﻢ اﺑﺮاز اﻟﺰﻣﻦ ﻓﻲ اﻟﺮواﯾﺔ ﻋﺒﺮ اﻟﺘﻼﻋﺒﺎت اﻟﺰﻣﻨﯿﺔ اﻟﺨﺎﺻﺔ ﻟﯿﻼﺋﻢ ﺣﺎﻻت اﻟﺸﺨﺼﯿﺎت واﻷﺣﺪاث.

Musical Narrative and its Basic Components in the Novel Al-Masaaer by Rabi Al-Madhoun

.Any text without an interpretive reading that shows the hidden meanings is a passive reaction. Using interpretive reading and a descriptiveanalytical method, this study interprets the poems of Ali Jafar alAlaq. The study mainly aims to get to a proper understanding of the poet’s poetry and his ode “The Song of Lost Homeland”. Having a historical attitude, this ode analyzes the situation in the Arab countries and using artistic images, depicts the wounds of his land from the Andalus time to the present. In addition to the truth, the poet pays special attention to the innovative aspect of the language of poetry and, using a metaphoric language, paradox, synesthesia, and foreignization, strengthens the semantic and aesthetic burden of the poem. This ode is of important mythological and religious heritage and the poet use it to objectify the meanings and references of the poem. Moreover, different forms of music play an interpretive role in the ode. Using parallel forms in rhymes the poet tries to create beautiful structures. A connection between the references of title of the poem and the main body of the ode shows that using an intertextual title, the poet gives the readership all the meanings and content of the poem and reminds the betrayal and destruction of his home land.