الدور الرئیسی للجانب الانثوی (الانیما) فی اشعار نزار قبانی ونادر نادربور(المقالة المحکمة)

ﯾﺤﺘﻮی ﺿﻤﯿﺮ اﻹﻧﺴﺎن ﻋﻠﯽ ﻣﺴﺘﻮی اﻟﻮﻋﻲ واﻟﻼوﻋﻲ، وﯾﻨﻘﺴﻢ اﻷﺧﯿﺮ ﺑﻨﻔﺴﻪ اﻟﯽ ﻗﺴﻤﯿﻦ: اﻟﺸﺨﺼﻲ واﻟﺠﻤﻌﻲ. ﯾﻌ ّﺪ اﻟﻼوﻋﻲ اﻟﺠﻤﻌﻲ ﻣﻦ اﻫﻢ اﻟﻨﺘﺎﺋ ﺞ اﻟﺠﻮﻫﺮﯾﺔ ﻋﻨﺪ ﯾﻮﻧﻎ، ﻓﻬﻮ ﯾﻌﺘﻘﺪ اﻧّﻪ ﻓﻄﺮی وﺟﻤﺎﻋﻲ، وﯾﺤﺘﻮی ﻋﻠﯽ اﻟﺴﻠﻮﮐﯿﺎت اﻟﺘﻲ ﺗﺸﮑّ ﻞ اﻟﺨﻠﻔﯿﺔ اﻟﻨﻔﺴﯿﺔ اﻟﻤﺸﺘﺮﮐﺔ وﻟﻪ اﻧﻤﺎط ﻣﺘﻌﺪدة وﻣﻨﻬﺎ اﻷﻧﯿﻤﺎ. انّ اﻷﻧﯿﻤﺎ، ﻓﻬﻲ ﻗﺪ وﻗﻌﺖ ﻓﻲ اﻋﻤﺎق اﻟﻼوﻋﻲ، ﻟﻬﺎ ﻣﺼﺪر ﺑﻌﯿﺪ ﺟﺪاً وﺗﺪ ّل ﻋﻠﯽ انّ ﮐﻞّ ﺷﺨﺺ ﻓﻲ ﺣﯿﺎﺗﻪ ﯾﮑﺸﻒ ﻋﻦ ﺑﻌﺾ ﺧﺼﺎﺋﺺ اﻟﺠﻨﺲ اﻵﺧﺮ ﻓﻬﻲ ﻓﻲ اﻟﻮاﻗﻊ ﻋﻨﺼﺮه اﻷﻧﺜﻮی ﻧﻔﺴﻪ. اﻟﯿﻮم، ﻣﻦ اﺟﻞ ﻣﻌﺮﻓﺔ اﻹﻧﺴﺎن، ﯾﻨﺒﻐﻲ اﻟﺘﺼ ّﺪی ﻟﺮوﺣﻪ وﻧﻔﺴﻪ اﻟﺘﻲ ﺗﺤﮑﻲ ﻋﻦ اﻟﻤﺎﺿﻲ اﻟﺒﻌﯿﺪ وﺗﺘﻤﺜّﻞ ﻓﻲ اﺷﮑﺎل ﻣﺨﺘﻠﻔﺔ ﻣﻨﻬﺎ اﻟﺠﺎﻧﺐ اﻷﻧﺜﻮی ﻓﻲ وﺟﻮد ﮐﻞ رﺟﻞ. انّ اﻫﻤّ ﯿﺔ ﻫﺬا اﻷﻣﺮ ﺗﺴﺒﺐ ﻓﻲ ان ﯾﺪرس ﮐُ ﺘﺎب ﻫﺬه اﻟﻤﻘﺎﻟﺔ اﺷﻌﺎر ﻧﺰار ﻗﺒﺎﻧﯽ وﻧﺎ در ﻧﺎدرﺑﻮر ﺑﺎﻋﺘﺒﺎرﻫﺎ ﺟﺰءا ً ﻣﻔﻘﻮداً ﻣﻦ وﺟﻮد ﮐﻞ رﺟﻞ، ﻣﺸﯿﺮﯾﻦ اﻟﯽ انّ ﻫﺬا اﻟﻨﻤﻂ اﻟﺘﺮاﺛﻲ ﻗﺪ ﺗﺒﻠﻮر ﺑﺸﮑﻞ ﻻوﻋﻲ ﻓﻲ اﺷﻌﺎرﻫﻤﺎ ﻣﻦ ﺧﻼل اﻟﺮﻣﻮز واﻟﻤﻔﺎﻫﯿﻢ اﻟﻤﺠﺮدة وﺗﻈﻬﺮ ﻣﺘﺠ ّﺴﺪة ﻓﻲ اﻟﺸﺠﺮ واﻟ ﱠﺸﻌﺮ، وﻋﯿﻮن اﻟﺤﺒﯿﺒﺔ اﻟﺴﻮداء واﻟﻤﺎء، واﻟﯿﻨﺒﻮع واﻷﻧﯿﻤﺎ اﻟﻤﻠﻬﻤﺔ واﻟﺘﻤﺎﻫﻲ. انّ ﺗﻮاﺗﺮ اﺳﺘﺨﺪام ﻫﺬه اﻟﺘﻌﺎﺑﯿﺮ ﯾﺪل ﻋﻠﯽ انّ ﻫﺬﯾﻦ اﻟﺸﺎﻋﺮﯾﻦ اﻟﻤﻌﺎﺻﺮﯾﻦ ﮐﺎﻧﺎ ﻣﺘﺄﺛﺮﯾﻦ ﺑﺎﻷﻧﯿﻤﺎ وﺗﻌﮑﺲ اﺷﻌﺎرﻫﻤﺎ ﻫﺬه اﻟﻌﻼﻗﺔ. ﺗﻈﻬﺮ اﻷﻧﯿﻤﺎ ﺑﺸﮑﻞ اﯾﺠﺎﺑﻲ وﺳﻠﺒﻲ ﺣﯿﺚ اﻧّﻬﺎ ﯾﻤﮑﻦ ان ﺗﻘﻮد اﻹﻧﺴﺎنَ ﻧﺤﻮ اﻟﻠﻪ اﻟﻌﻈﯿﻢ وﺗ ﻮﺛﻖ روﺣﻪ ﺑﻪ؛ اﻷﻣﺮ اﻟﺬی ﯾﺘﻢ ﺗﺤﻘﯿﻘﻪ ﺧﻼل اﻧﺼﻬﺎر اﻟﺸﺎﻋﺮ ﻓﻲ ﺣﺒﯿﺒﻪ اﻷزﻟﻲ، ﺑﺘﻌﺒﯿﺮ آﺧﺮ، ﺗﻈﻬﺮ اﻷﻧﯿﻤﺎ اﯾﺠﺎﺑﺎً ﻓﻲ ﻓﮑﺮ اﻟﺸﺎﻋﺮ ا ﮐﺜﺮ ﻣﻨﻬﺎ ﺳﻠﺒﺎ ً. ﺧﻠﺼﻨﺎ ﻓﻲ ﻫﺬا اﻟﺒﺤﺚ اﻟﯽ ان اﻷﻧﯿﻤﺎ، ﺑﺎﻋﺘﺒﺎرﻫﺎ اﻫﻢ اﻷﻧﻤﺎط اﻷوﻟﯿﺔ وﻣﺼﺪراً ﻟﻺﻟﻬﺎم، ﻟﻬﺎ ﺗﺄﺛﯿﺮ ﮐﺒﯿﺮ ﻓﻲ ﺗﻔﮑﯿﺮ اﻟﺸﺎﻋﺮﯾﻦ واﺿﻔﺖ ﻟﺸﻌﺮﻫﻤﺎ ﻟﻮﻧﺎً ﻋﺎﻃﻔﯿﺎ ً ﮐﺒﯿﺮاً.

The Prominent Role of Female Element in the Poems of Nizar Tawfiq Qabbani and Nader Naderpour

Anima archetype discussion in nazar ghabbani and nader naderpoor Human nature involves two areas i consciousness and unconsciousness and consciousness  which is originally discovered by Yung.It is divided to two part: individually and cumulatively. In Yung’s opinion cumulatively unconsciousness is innate and general and involves contents and manners that forms common physically background and it involves different kinds that one of them is anima.Anima hides in deep consciousness that has a for source and indicates that each person shows some opposite sexes features in his life that actually refers to her femininity features.In Nizar Ghabbani’s poems and  confirm as a lost half in mans nature, that has a special station in poems of poet. By studying anima in nizar’s poems we can express that the out burst of this old pattern of unconsciousness in his poems appear from symbols and abstract senses. And also is obvious in forms like femininity tree, black eyes, water, spring, inspiring anima, and etc.He also express about women’s features like fruitfully , birth, growth and its relation with natures element. All these express that it is in fienced by it’s inside anima and his poems reflect this relation.Anima hides in deep consciousness that has a for source and indicates that each person shows some opposite sexes features in his life that actually refers to her femininity features. In this research anima determine. Anima hides in deep consciousness that has a for source and indicates that each person shows some opposite sexes features in his life that actually refers to her femininity features. In this research anima determine.Anima hides in deep consciousness that has a for source and indicates that each person shows some opposite sexes features in his life that actually refers to her femininity features. In this research